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# Peripheral Review

art exhibition reviews and responses

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## Posts

- [Archives](https://www.peripheralreview.com/archives/)
- [Tino Sehgal: Honouring the Affect](https://www.peripheralreview.com/tino-sehgal-honouring-the-affect/) - After two years of living almost exclusively behind screens, returning to the public sphere has been daunting and stress-inducing for many people. As someone who already deals with social anxiety, I felt incredibly nervous visiting the Remai Modern knowing that Tino Sehgal’s exhibition featured live art, as well as participatory components. Moving inconspicuously and aimlessly
- [Mimetic Renderings: On the Paintings of Sophia Lapres](https://www.peripheralreview.com/mimetic-renderings-on-the-work-of-sophia-lapres/) - Sophia Lapres doesn’t paint memes—at least, not as we might culturally understand them today. Her pop culture references skew more towards the saccharine and the cliché than the humorous, towards Pinterest and Tumblr rather than Reddit and Twitter. Nevertheless, her work is born of the same endless replicability of the image in the digital age
- [Camouflage, Transformative Goo, and Transness: In Conversation with Sarah Davidson](https://www.peripheralreview.com/camouflage-transformative-goo-and-transness-in-modern-times-in-conversation-with-sarah-davidson/) - I first met Sarah Davidson during a queer ecology-themed Banff Centre residency in 2022, where we bonded over our love of hiking, literature, and our mutual interests in queerness beyond the human variety. Throughout our time there, we spent many days out of the studio walking up various mountains and talking about drawing, writing, and
- [Steven Beckly: Handy Work](https://www.peripheralreview.com/steven-beckly-handy-work/) - In Handy Work, Steven Beckly’s third solo exhibition with Daniel Faria Gallery in Toronto, the artist turns dramatically staged elements of light and form inward. Known for his sensually evocative, sculptural approach to photo-based installations, the artist returns to the self-contained image in a series of wall-mounted and framed photographs of hands holding, twisting, grasping,
- [Cultivation, Continuum, and Craft: In Conversation with Holly Chang](https://www.peripheralreview.com/cultivation-continuum-and-craft-in-conversation-with-holly-chang/) - This spring, I met with artist Holly Chang to talk about her newest work, Garden into Infinity (2025). At the time, there was still a slight chill in the air, though our shared landscape in Toronto's west end was starting to shift into a more green and verdant one. Holly says she knew me when
- [Reaching for diasporic offerings](https://www.peripheralreview.com/reaching-for-diasporic-offerings/) - Growing up in Winnipeg, there were grocery spots my parents took me where I felt right at home. These grocery stores are the ones that are locally owned, and filled with aisles of various spices, smells, and colours that replicate different variations of the Black/African/Caribbean diaspora. The store that I grew up with, and still
- [Not Painting "en plein air": In Conversation with Liz Toohey-Wiese](https://www.peripheralreview.com/not-painting-en-plein-air-in-conversation-with-liz-toohey-wiese/) - I have been interested in the work of Liz Toohey-Wiese for several years, and first met her when I included her work in the group exhibition that I curated at CSA space in 2022, titled Jelena and the Internet Celebrity Cat. In addition to her commitment to art that addresses climate change, alongside artistic collaborator
- [Future Memoria: A Timely Exploration of Utopia and Dystopia](https://www.peripheralreview.com/future-memoria-a-timely-exploration-of-utopia-and-dystopia/) - The group exhibition Future Memoria left a profound impression on me as a viewer and continues to resonate as a deeply moving and intellectually stimulating art experience. The juxtaposition of utopian aspirations alongside dystopian anxieties accurately reflected current global narratives, rendering the exhibition both timely and timeless. The show invited me to consider not just
- [Everyday Monuments](https://www.peripheralreview.com/everyday-monuments/) - Rajesh Vora’s photobook, Everyday Monuments: The Rooftop Sculptures of Punjab is so large—or maybe my wrists are just weak—that I have to lay it on my lap to look at it. The act of reminiscing with a photo album was not a novel gesture for me: I remember being at my nani’s house in Ludhiana,
- [Attunement’s Discourse in Crisis & Connection](https://www.peripheralreview.com/attunements-discourse-in-crisis-connection/) - An experiment in reading experimental choreography & theory on crisis through an experimental book on love. Prologue For their winter 2024 program, The Blackwood Gallery and Toronto Dance Theatre curated a paired program of choreographic works—Weathering by Faye Discoll and Fran Chudnoff’s FACE RIDER—alongside a suite of transdisciplinary panels, The Attunement Sessions. From Discoll’s choreography
- [Genealogies of Sustenance at the Gardiner Museum](https://www.peripheralreview.com/genealogies-of-sustenance-at-the-gardiner-museum/) - With stained plum walls, soil-filled plinths, and an emanating neon panel, the Gardiner Museum's lobby became an installation in itself as part of the group exhibition curated by Sarah Edo titled, Genealogies of Sustenance. Viewers' eyes were immediately drawn to the collection of artworks housed within and outside the museum’s walls, from the soft glowing
- [Suspension of a Necessary Habit: A Conversation with Erin Hunt ](https://www.peripheralreview.com/suspension-of-a-necessary-habit-a-conversation-with-erin-hunt/) - I was first introduced to artist Erin Hunt by a colleague with whom I share a first name. By chance, Hunt and I share the nation’s capital as a hometown, right down to the suburb. We thought possibly streets apart when we first met in 2021. We also share a fondness for the same island
- [Binds, belts, and blood: On Theodore Wan and Paul Wong at the Richmond Art Gallery](https://www.peripheralreview.com/binds-belts-and-blood-on-theodore-wan-and-paul-wong-at-the-richmond-art-gallery/) - A man, hovering naked above the ground, each limb roped to a pole spreading his body open, reads the Book of Ecclesiastes until the pain becomes unbearable. This photo-text work, titled Hornby Island (1975), by Theodore Wan sets the tone for the two-person exhibition, Unit Bruises: Theodore Wan & Paul Wong, 1975-1979 curated by Michael
- [Peripheral Review's 2024 Skill-Sharing Fundraiser!](https://www.peripheralreview.com/peripheral-reviews-2024-skill-sharing-fundraiser/) - Go to the fundraiser page HERE! RAFFLE & MEMBERSHIP DRIVE EXTENDED until Saturday December 14th, 2024! From Saturday November 23 – Saturday December 7, 2024, Peripheral Review will host our third annual online fundraiser, with a new intention! Support PR by bidding on auction items of SERVICES, SKILLS & MORE from Canadian artists, organizations, collectives,
- [ALL HAIL THE WHITE PUBE (Or, Can Art Criticism Be Funny?)](https://www.peripheralreview.com/all-hail-the-white-pube-or-can-art-criticism-be-funny/) - It’s the summertime now and I am gainfully unemployed. Every morning, I wake up at 2PM and take in the stunning views of downtown Toronto from my over-priced high-rise apartment. I recline (lengthwise) on my lumpy futon-couch and while away the hours reading about The White Pube’s (TWP) adventures in the art world. Love Island
- [Portrait of the Artist as a Spiritual Seeker: Debi’s (Teenage) Theosophical Enlightenment at Afternoon Projects](https://www.peripheralreview.com/portrait-of-the-artist-as-a-spiritual-seeker-debis-teenage-theosophical-enlightenment-at-afternoon-projects/) - “What sets New Age apart is that its primary sources of inspiration for formulating holistic alternatives are derived from certain so-called ‘western esoteric’ traditions which have long existed in our culture but have seldom been dominant. … the idea is that an inner core of true spirituality lies hidden behind the outer surface of all
- [Ok, I’ll Bite: What’s Toronto? GTA24 at MOCA Toronto](https://www.peripheralreview.com/ok-ill-bite-whats-toronto-gta24-at-moca-toronto/) - BELLYACHING FOR FUN & PROFIT Have you heard the Bill Evans Trio album of recordings from 1961, At the Village Vanguard? A classic. Evans plinking away at the piano amongst the clinking glasses, scraping cutlery, and chattering diners of the famed New York City jazz venue—an occasional percussive cough thrown in for good measure. It’s
- [Unbound from the Limitations of the Sex Worker Archive: In Conversation with Daze Jefferies](https://www.peripheralreview.com/unbound-from-the-limitations-of-the-sex-worker-archive-in-conversation-with-daze-jefferies/) - By Brody Weaver A thousand kilometres apart, but connected between Halifax, NS and St. John's, NL through video-call, I had the pleasure of interviewing artist, writer, researcher, and educator Daze Jefferies in late March of this year. Her multi-disciplinary practice engages creative research into the histories of trans women and sex workers in Ktaqmkuk: (Newfoundland).
- [A Proposal for an Artists' Union](https://www.peripheralreview.com/a-proposal-for-an-artists-union/) - In 2020, I made a large-scale painting titled Mural Study for the Future Site of an Artist Union. The title ironically alluded to the fact that the painting was being shown in a commercial gallery, and with an idealistic future outcome, this venue, and perhaps other galleries, might become the site of an artist union.
- [The Image of All Matter: Alchemical Methodology in the Photograms of Danielle Goshay](https://www.peripheralreview.com/the-image-of-all-matter-alchemical-methodology-in-the-photograms-of-danielle-goshay/) - It’s the body who has moved the direction of light to wave a chemistry of fog lingers lost among clouds the way a pulse echoes a pulse echoes a pulse echoes onto the page ⟡ I find: a place to react a primary desire a name that melts away ⟡ I — what’s left? ⟡
- [Oceanic matters, porous vessels, waste flows: A Conversation with Elizabeth Burmann Littin](https://www.peripheralreview.com/oceanic-matters-porous-vessels-waste-flows-a-conversation-with-elizabeth-burmann-littin/) - In October of last year, Chilean artist Elizabeth Burmann Littin’s exhibition Pupila marked the opening of two seven two, a new commercial gallery in Toronto run by Emma Bain and Yasmin Nurming-Por. Tucked away in the Republic of Rathnelly, it takes up residence in a space already steeped in a legacy of community organizing and
- [The Earthen Ocean: Maru Aponte at Pale Fire](https://www.peripheralreview.com/the-earthen-ocean-maru-aponte-at-pale-fire/) - From Tuvalu and Tonga in the Pacific Ocean to Isle de Jean-Charles in New Orleans, the form of the Island accrues tragic, immanent salience: vanishing geographies transmuted ever-further into useful symbolism for both the failures of climate policy and the private terrors of social isolation. These spaces now occupy a perverse popularity, much in the
- [Jasper van Alderwegen at the Vault Gallery](https://www.peripheralreview.com/jasper-van-alderwegen-at-the-vault-gallery/) - Transpiring in the Vault Gallery, Jasper van Alderwegen’s solo exhibition Aediculae II is the second iteration of an exhibition that almost happened… Due to being locked out of their studio by a Montréal slumlord, the artist didn’t have access to the works intended for Aediculae I. In the eleventh hour, an alternative exhibition (aptly retitled
- [TWO ON AND WITH](https://www.peripheralreview.com/two-on-and-with/) - Jeremy Laing appears in blue, Fan Wu speaks in violet. MIRROR-VASE DOT JAY PEE GEE It’s giving Shibari Klein bottle. Immanence is the simultaneity of self-enclosure and self-disclosure. Whoever invented the mirror is evil, they say, for it gives back anxiety in the form of one’s own supposed “face” (a reverse translation at best). I
- [Climate Futures and Spectral Atmospheres in Tracy Peters’ <i>Bog Sensing</i>](https://www.peripheralreview.com/climate-futures-and-spectral-atmospheres-of-tracy-peters-bog-sensing/) - “The sound is incredible. I knew I might never hear anything like that again.” As artist Tracy Peters describes this to me, I try to imagine the squelch of snowshoes pressing into a dense mat of waterlogged Sphagnum moss. The artist is telling me about her recent research trip to Store Mosse National Park, the largest
- [Emma Kohlmann at Cooper Cole](https://www.peripheralreview.com/emma-kohlmann-at-cooper-cole/) - The final scene of William Dear’s academy award–winning Harry and the Hendersons (1987), sees patriarch George Henderson, played by John Lithgow, lead his family into a dense wood situated atop a secluded mountain range. They’ve fled here in an effort to escape a pursuing tail of journalists and covert government agents who are eager to
- [<i>We Are All Electric Beings:</i> Inter-species meet-cute at the Art Gallery of Regina](https://www.peripheralreview.com/we-are-all-electric-beings-inter-species-meet-cute-at-the-art-gallery-of-regina/) - Last October, I procured a new house plant under unique circumstances. A small Hoja specimen was transferred into my care at the Art Gallery of Regina during a free plant adoption project by artist Alyssa Ellis. During the exhibition’s run, visitors were asked to symbolically enter into an interspecies social contract with their new plants,
- [<i>Alibaba Conundrum</i> at Griffin Art Projects](https://www.peripheralreview.com/alibaba-conundrum-at-griffin-art-projects/) - What more can be written about what has already been said? Before these fingers so much as touched the keyboard, the discourse ran thick around Alibaba Conundrum, an exhibition at Griffin Art Projects by an artist duo of the same name. So many words had been said and written by the artists Ali Ahadi and
- [Precious Elements: In Conversation with Parastoo Anoushahpour](https://www.peripheralreview.com/precious-elements-in-conversation-with-parastoo-anoushahpour/) - I can’t say for certain why Parastoo Anoushahpour’s recent film The Time That Separates Us (2022) absorbed my attentions. In the spring, I found myself on the edge of the University of Toronto’s St. George campus in Innis Town Hall, a cinema and lecture theatre. I was compelled to take out my notebook in the
- [Protest Lip Slips](https://www.peripheralreview.com/protest-lip-slips/) - When I’m chanting for justice, peace, a ceasefire, and mercy for Palestine and Palestinians at protests in Toronto, I catch myself mixing up the carefully constructed asks. I blame this on my grief—my cold body marching for hours at a time. I think about these mix-ups and how perhaps the variations on these chants, many
- [Because Every Day is Filled with Unmemorable Time: A Conversation with Hyang Cho](https://www.peripheralreview.com/because-every-day-is-filled-with-unmemorable-time-a-conversation-with-hyang-cho/) - At sunset, in the calm before a torrential downpour, I spoke with artist Hyang Cho inside the makeshift studio she’s set up inside her garage in Guelph, ON. We talked about her most recent exhibition, Certain Things from Uncertain Moments, which ran from January 14 – March 11, 2023 at YYZ Artists’ Outlet, and reflected
- [DEEP HORSE ENCOUNTERS: A Series of Responsive Fiction Inspired by <i>DEEP HORSE TEXTS</i>](https://www.peripheralreview.com/deep-horse-encounters-a-series-of-fictional-responsive-texts-inspired-by-deep-horse-texts/) - Deep Horse Encounter #1: M Meets her First Horse Girl SYNOPSIS: In this pulp fiction fantasy from the series “Cuntry Lavender Menace” M, your typical futch-leaning dyke writes undelivered letters to J, pondering whether or not she’s a “Horse Girl.” Dear J, I’ve seen you ‘round town recently, and gotta admit I’m intrigued by you:
- [PLL BCK TH CRTN: On Colin Miner’s <i>The clearest image</i>](https://www.peripheralreview.com/pll-bck-th-crtn-on-colin-miners-the-clearest-image/) - The clearest image is a fucking mess. Holes are cut in and through walls. The crap that came out swept together with the other detritus from the installation into little piles around the space. A deathtrap of electrical cables lay strewn on the floor, excretions from the neon-light entrails which spiral to infinitude. A polluting
- [Notes on Empathy: An Analysis of Zinnia Naqvi’s films: <i>Seaview, The Translation is Approximate,</i> and <i>Farzana</i>](https://www.peripheralreview.com/notes-on-empathy-an-analysis-of-zinnia-naqvis-films-seaview-the-translation-is-approximate-and-farzana/) - Toni Morrison wrote that fiction “is a product of imagination—invention—and it claims the freedom to dispense with what really happened, or where it really happened, or when it really happened, and nothing in it needs to be publicly verifiable, although much in it can be verified.”1 After watching Seaview (2015), The Translation is Approximate (2021), and
- [<i>A Tangent Line Gently Touching Coins:</i> Micah Adams at MKG127](https://www.peripheralreview.com/a-tangent-line-gently-touching-coins-micah-adams-at-mkg127/) - I went to Niagara Falls, Ontario and all I got was this lousy coin. Well, no, actually, it was in the thick of the manufactured thunderstorm at the Rainforest Cafe where I begged my roommate for a loonie to trade in at the gift shop desk for a single American penny. I walked over to
- [Archival Legacies: <i>THAT WHICH WE WERE GIVEN</i> at The Next Contemporary](https://www.peripheralreview.com/archival-legacies-that-which-we-were-given-at-the-next-contemporary/) - Masked in the dramatic shadows of the dim, ivory gallery space, THAT WHICH WE WERE GIVEN was a luminary exhibition that spotlights the ongoing processes of displacement and dispossession within Black communities. As The Next Contemporary’s second exhibition, the Toronto gallery’s group show furthers themes that are prevalent to director Farnoosh Talaee’s curatorial framework: elevating
- [Machined Sun: Ryan Park at  YYZ Artists' Outlet](https://www.peripheralreview.com/machined-sun-ryan-park-at-yyz-artists-outlet/) - It’s always the same time of day in my memories when I revisit them: the light remains frozen, and time behaves differently. There’s something about the temporal quality of light that can quickly transform into analogies of time and memory, and, if anything, it’s because working with light is working with energy that continually wants
- [PR 2022 Fundraiser Auction](https://www.peripheralreview.com/pr-2022-fundraiser-auction/) - From Saturday August 13 - Saturday August 27, 2022, PR will host our very first online auction with an ambitious roster of work by Canadian and international artists. The auction will take place entirely on our new website and includes a wide range of price points for increased accessibility. All proceeds will go towards supporting
- [PR 2023 Fundraiser Auction](https://www.peripheralreview.com/pr-2023-fundraiser-auction/) - From Sunday September 17 – Friday September 29, 2023, Peripheral Review will host our second annual online auction of artworks from thirty-seven Canadian and international artists. The auction will take place entirely on our website and includes a wide-range of works at varying prices for increased accessibility. All proceeds of the sales will go to the
- [Follow <i>Architect turtle</i> through a world of wonders: Mikaela Kautzky at nap](https://www.peripheralreview.com/follow-architect-turtle-through-a-world-of-wonders-mikaela-kautzky-at-nap/) - made for, by, and in my garden :,), a solo exhibition by Vancouver-based artist Mikaela Kautzky, was especially memorable for the care taken in the placement of its contents. To enter the show in a small project space called nap, visitors had to traverse through an apartment in the basement level of a house in
- [Peggy Kouroumalos: <i>Snakes Under My Bed</i> at Main Street](https://www.peripheralreview.com/peggy-kouroumalos-snakes-under-my-bed-at-main-street/) - By Kate Kolberg In 1914, Giorgio de Chirico, a founder of the Metaphysical art movement, painted the well-known proto-surrealist work Le Chant d’Amour (The Song of Love). The painting shows the face of a Classical bust hanging on a wall beside an equally large rubber glove. It is a simple enough painting but, true to
- [Every Moment Is A Chance To Get Something That Lives On](https://www.peripheralreview.com/every-moment-is-a-chance-to-get-something-that-lives-on/) - Vishal Jugdeo interviewed by Paul Kajander Does Your House Have Lions (2021) is a 49 minute film by Delhi-based poet vqueeram and Los Angeles-based artist Vishal Jugdeo. Shot like cinéma-vérité, the piece moves around friends and lovers vqueeram lives with. It documents Delhi, Bombay and Goa, during the time-period of January 2016 to September 2020,
- [Tasman Richardson's <i>Kali Yuga</i>](https://www.peripheralreview.com/tasman-richardsons-kali-yuga/) - By Madeline Bogoch In her 1976 essay “Video: The Aesthetics of Narcissism,” Rosalind Krauss attempts to pinpoint the singular essence of video-based artwork, speculating on the possibility of the claim that the “medium of video is narcissism”. (1) For Krauss, the linchpin of this perspective was the (now taken for granted) instantaneity of video, which
- [Resisting Quantifiable Instruction: Lan "Florence" Yee’s <i>Tangerine, After Grapefruit</i>](https://www.peripheralreview.com/resisting-quantifiable-instruction-lan-florence-yees-tangerine-after-grapefruit/) - The Montréal- and Toronto-based artist Lan "Florence" Yee is showcasing their newest series of works Tangerine, After Grapefruit in their upcoming solo exhibition, Just Short of Everything, which will be showing in January 2023 at the Pierre Léon Gallery inside Alliance Française Toronto. Their series of works Tangerine, After Grapefruit features nine different swathes of
- [Bullets and Gush: <i>After Cataclysm, Before the Storm</i> ](https://www.peripheralreview.com/bullets-and-gush-after-cataclysm-before-the-storm/) - The recent Gallery TPW off-site exhibition at Whippersnapper Gallery, titled After Cataclysm, Before the Storm, presented a research-based multimedia exhibition that grew out of a sustained partnership between Gallery TPW and artist-in-residence Alvin Luong, who also commissioned new works by Vietnam-based artists Vicky Đỗ and Đoàn Toàn. Collectively, the artists attended to a meditation and
- [Marlon Kroll at Parc Offsite](https://www.peripheralreview.com/marlon-kroll-at-parc-offsite/) - Let us assume that an artist is a translator of what constitutes them. Even the most ostensibly impersonal art is a revelation of the artist’s curiosities and desires, and the more empathetic viewer enacts a form of deciphering. My tendency, or perhaps my problem, is that when a work of art moves me, I experience
- [<i>With a heart that sings the stars, I will love all things dying</i>: Woojae Kim at dreams comma delta](https://www.peripheralreview.com/with-a-heart-that-sings-the-stars-i-will-love-all-things-dying-woojae-kim-at-dreams-comma-delta/) - I knew this exhibition was about worms. I went to look at them when I walked in, my sock feet brushing the seafoam carpet of dreams comma delta as I made my way to the corner. Christian, one of the curators and a resident of the home where the gallery resided, opened the lid and
- [Walking Through <i>Nonsuch</i>: A Conversation with Morgan Melenka](https://www.peripheralreview.com/walking-through-nonsuch-a-conversation-with-artist-morgan-melenka/) - Calgary-based artist Morgan Melenka’s practice consistently sources from the expansive fields of sculpture, architecture, and printmaking. In her work, Melenka researches and links the histories of material to place—like American-made Formica for example—and in doing so, expands and contextualizes the wider implications of their various uses through her creative approach. In her past solo exhibition
- [Beholden in the Wake: <i>Denyse Thomasos: just beyond</i> at Remai Modern](https://www.peripheralreview.com/beholden-in-the-wake-denyse-thomasos-just-beyond-at-remai-modern/) - Trauma is what does not go away. It persists in symptoms that live on in the body, in the intrusive fragments of memories that return. It persists in symptoms that live on in communities, in the layers of past violence that constitute present ways of relating. It persists in the symptoms that fuel present wars.
- [The Miniature Described: Maggy Hamel-Metsos at Pumice Raft](https://www.peripheralreview.com/the-miniature-described-maggy-hamel-metsos-at-pumice-raft/) - In her 1993 book On Longing: Narratives of the Miniature, the Gigantic, the Souvenir, the Collection, Susan Stewart makes a compelling comparison between the experience of time and miniature models. She describes an experiment conducted at the University of Texas, where the participants were asked to interact with scale-model environments 1/6, 1/12, and 1/24 of
- [Carmen Papalia with Co-Conspirators at the Vancouver Art Gallery](https://www.peripheralreview.com/carmen-papalia-with-co-conspirators-at-the-vancouver-art-gallery/) - Provisional Structure 2 (2022) is a striking installation. The modular tent-like installation—made up of acoustic panels and black fabric framed by wooden scaffolding (built by designer and architect Michael Liss)—rises up to the third story of the Vancouver Art Gallery. Inside the tent walls, gallery visitors can sit, watch, and listen to the Disability Filibuster:1
- [Becoming Slime: A Field Guide to a Gooier Life](https://www.peripheralreview.com/becoming-slime-a-field-guide-to-a-gooier-life/) - 1. Have your child squeeze about ½ cup (4 ounces) of glue into a glass bowl.1 For as long as I can remember, I’ve found comfort and pleasure in the sensation of soft things slipping through my fingers. I actively sought, and continue to seek out, sensory experiences I can squish in my hands, savouring
- [On <i>Walking through Clear Water in a Pool Painted Black</i> by Cookie Mueller](https://www.peripheralreview.com/on-walking-through-clear-water-in-a-pool-painted-black-by-cookie-mueller/) - Cookie Mueller holds the niche title of it girl’s it girl—which may be partially attributed to remaining just obscure enough to fly under the radar of mainstream recognition. A recent reissue of her collected writing, Walking through Clear Water in a Pool Painted Black, has reignited interest in the always multi-hyphenated Mueller, and ensured that
- [Scanning Slippages & Copy/Pasted Identities](https://www.peripheralreview.com/scanning-slippages-copy-pasted-identities/) - The museum of the copy/pasted identities, a solo exhibition by Francisco González-Rosas, was hosted by The Centre for Culture and Technology at the University of Toronto, where González-Rosas was the Centre’s inaugural artist-in-residence in the fall of 2022. Currently based in Montréal, González-Rosas is a Chilean-born performance and new media artist, whose work engages with
- [Mutable Matters: A Conversation with Laura Hudspith](https://www.peripheralreview.com/mutable-matters-a-conversation-with-laura-hudspith/) - I first came across Laura Hudspith’s work in 2019, which coincided with a shift in the artist’s practice to a more autotheoretical approach that draws on her lived experience with chronic illness. At that time, I was months deep into my own isolating and confusing journey that would eventually lead to the diagnosis of fibromyalgia,
- [Nadia Belerique at Daniel Faria Gallery](https://www.peripheralreview.com/nadia-belerique-at-daniel-faria-gallery/) - Recently I had a memory come back to me—the type of memory that comes to the surface seemingly out of nowhere, one I imagine would be considered so very mundane that any brain, in an attempt to conserve space, would erase immediately. But there it was, collapsing time, a visceral scene from childhood of me
- [Painting and Obstinacy](https://www.peripheralreview.com/painting-and-obstinacy/) - By Andrew Witt Last year a number exhibitions, events and talks addressed the state of contemporary painting in Vancouver. The following essay is a belated survey of these exhibitions and events but also an analysis of the blind spots, clichés and missed opportunities that have stood out during the discussion. Paying close attention to the
- [<i>Truly, Madly, Deeply; A Case for Vulnerability:</i> In Conversation with Beau Gomez](https://www.peripheralreview.com/truly-madly-deeply-a-case-for-vulnerability-in-conversation-with-beau-gomez/) - How does one evaluate the authenticity of an artist’s work? Is it the artwork itself or is it the engagement with it? In this late-capitalist, image-driven world, what does meaningful engagement with contemporary photography look like? How do we value generosity, connection, depth and above all—truth? I am often at a crossroads between admiring an
- [Perspectives Towards a Crip Horizon](https://www.peripheralreview.com/perspectives-towards-a-crip-horizon/) - COVID-19 has been a mass disabling event. The disruption of societal routines meant that many people who never before had to worry about overcoming obstacles to accessing their social environment suddenly had to negotiate and advocate for their needs to be met. Shifts around the value and the location of work have taken place, as
- [The Dialogue Between Bodily Boundaries & Everything Else](https://www.peripheralreview.com/the-dialogue-between-bodily-boundaries-everything-else/) - Walking into Sacred Spit, curated by Lea Rose Sebastianis in Open Space Gallery’s “Black Box,” felt like crossing the threshold of a site teeming with unruly spirits and transgressive energies. Illuminated by soft spotlights, three artworks by Karice Mitchell, Lauren Pirie, and Noelle Perdue come together in a simple installation against the backdrop of theatrical
- [Amongst our Contemporary Ruins: <i>future relics of our time</i> at Equinox Gallery](https://www.peripheralreview.com/amongst-our-contemporary-ruins-future-relics-of-our-time-at-equinox-gallery/) - Yesterday afternoon my usual commute home was interrupted by a surprise flat on my bike’s rear tire. Along the route from the downtown office to my apartment, there are three sites of open excavation—one a literal pit, which is to be the future location of a new subway station near the local art university. At
- [Nourishment as Resilience: Meals for a Movement at Koffler.Digital](https://www.peripheralreview.com/nourishment-as-resilience-meals-for-a-movement-at-koffler-digital/) - How can we create the conditions for intimacy, solidarity, and nourishment while we’re apart? How can we break bread and share knowledge over a virtual table? Meals for a Movement, an online project organized by Koffler.Digital, shows us how answers to these questions might take shape. Transcending the typical online exhibition through an intimate audio
- [magnetic_T at the New Media Gallery](https://www.peripheralreview.com/magnetic_t-at-the-new-media-gallery/) - I usually visit art galleries in order to gain some feeling of shared humanity, to learn more about the inner workings of others and, subsequently, to reflect on my own. My recent visit to the New Media Gallery’s exhibition, magnetic_T drew me in another direction⁠—I left feeling like a witness to the evocative power of
- [Toxicity and Intoxication: Catherine Telford-Keogh and Katie Bethune-Leamen at the University of Waterloo Art Gallery](https://www.peripheralreview.com/toxicity-and-intoxication-catherine-telford-keogh-and-katie-bethune-leamen-at-the-university-of-waterloo-art-gallery/) - In an essay on disgust in The Cultural Politics of Emotion, Sara Ahmed asks: How can we tell the story of disgust in a way that works with the complicated relations between bodies, objects and others? (1) Considering the exhibitions of Katie Bethune-Leamen and Catherine Telford-Keogh at the University of Waterloo Art Gallery (UWAG), we
- [Performing Intimacy: Pixy Liao at Centre A](https://www.peripheralreview.com/performing-intimacy-pixy-liao-at-centre-a/) - “But it’s so intimate,” explained my friend about a community theatre group. Dazed by her reasoning, I remember responding, “What’s wrong with intimacy?” And then felt unsure myself. What is wrong with intimacy? When I first saw Pixy Liao’s The Hug by the Pond (2010), it struck me. The photograph showed two naked bodies on
- [A Body Knots: Laurie Kang at Gallery TPW](https://www.peripheralreview.com/a-body-knots-laurie-kang-at-gallery-tpw/) - I view Laurie Kang’s A Body Knots on my phone, as images. I’m on another continent, missing the show. But feeling that I know her and her practice pretty intimately makes up for some, though not all, of the texture and spacing that the real thing provides. At Gallery TPW in Toronto, a steel skeleton
- [the body is a butter brain at Calaboose](https://www.peripheralreview.com/the-body-is-a-butter-brain-at-calaboose/) - 1 I walk along St Charles street toward Charlevoix Metro, an April afternoon with a chill, and do so with speed, hoping that action, like rubbing sticks, gets me warm. The sun helps a bit—its eye lit wide in an otherwise undisturbed sky—but it is my moving body, my temporary companion, that really thaws me.
- [Influencer Identity and Apocalyptic Prophecy: Summer Emerald via @heaberald](https://www.peripheralreview.com/influencer-identity-and-apocalyptic-prophecy-summer-emerald-via-heaberald/) - On her Instagram account, Summer Emerald asserts that she is the “World’s Hottest Doomsday Preacher.” Her Internet presence alone possesses the sort of authority that makes me unwilling to question this. For almost a year, I have been vigilantly watching the Montreal-based artist prophesize the apocalypse to her Instagram followers. Appropriately, my visits to Emerald’s
- [Experience and the Object: Experiments in Relational Art & Architecture](https://www.peripheralreview.com/experience-and-the-object-experiments-in-relational-art-architecture/) - I step slowly into a long corridor of vertically aligned PVC pipes in two straight lines, the synthetic material contrasting with the forest surrounding it. With the view around me obscured by the structure, which grows incrementally taller as I walk through it, I direct my gaze up toward the sky and become attuned to
- [To be Continued:  <i>Troubling the Queer Archive</i> at Carleton University Gallery](https://www.peripheralreview.com/to-be-continued-troubling-the-queer-archive-at-carleton-university-gallery/) - With To Be Continued: Troubling the Queer Archive, a group exhibition presented at the Carleton University Art Gallery, curators Anna Shah Hoque and Cara Tierney argue that queer history as we know it is an incomplete, exclusionary concept in need of reinvention. Bringing together a group of thirteen artists and collectives, To Be Continued draws
- [<i>Elemental: Oceanic</i> at The Robert McLaughlin Gallery](https://www.peripheralreview.com/elemental-oceanic-at-the-robert-mclaughlin-gallery/) - Keralites are a chronically melancholic sort of people. I should know; I am one. How could you not be when you hail from a 600-kilometre-long thin strip of tenuous horizon, where a violent blue sea, a lush, verdant land, and the hot pinkish-hued sky all meet—pushing against the very limits of our capacities for perception,
- [Natural Speculations: <i>Multi-Species Daydream: a garden in the depths of winter</i> by SK Maston and Merle Harley](https://www.peripheralreview.com/natural-speculations-multi-species-daydream-a-garden-in-the-depths-of-winter-by-sk-maston-and-merle-harley/) - If the past two pandemic-burdened years have taught me anything, it’s that humans are very strange creatures. Without context, the way we behave—how we live, communicate and move through the world—sometimes makes very little sense. Take art, for example: what strange impulses, to make art, to share it with others, to build sacred halls for
- [A sieve leaking time and place away: José Andrés Mora at Artspace Peterborough](https://www.peripheralreview.com/a-sieve-leaking-time-and-place-away-jose-andres-mora-at-artspace-peterborough/) - On a sunny morning in May, I travelled with José Andrés Mora to his exhibition, The Morning in Reverse at Artspace Peterborough. Passing through the region that day had me ruminating on the petroglyphs at a nearby site that I visited some two decades earlier. The symbols, fissures, and rock substrate that make up the
- [Yakoweyentehta’onhátye Ayontahonhsí:yohste’:  Tsi nikanó:ron ne Kawennaráhston Nè:ne Í:kare ne Biidaaban: First Light, Yakaón:ni ne Lisa Jackson](https://www.peripheralreview.com/yakoweyentehtaonhatye-ayontahonhsiyohste-tsi-nikanoron-ne-kawennarahston-nene-ikare-ne-biidaaban-first-light-yakaonni-ne-lisa-jacks/) - Né:’e tsi watyé:sen tsi waktsi’nonwatényes tsi kathonwíseres, wakhtheronkwén:nis tahnon wakenehrakwáhtha ne VR, né:’e tsi kakwényes akaká:raton’ nè:ne tyako’nikonhratihénhthoht; kakwényes ó:ni ayón:ni’ ónhka ok aontayakétahkwe’, nikarihwéhsha, tsi yakohténtyon tsi yonhwentsyá:te nè:ne yakonhwentsyayenté:ri. E’tho káti yah tewakateryèn:tarahkwe oh nahò:ten akáttoke’ shahatì:ren’ akenon’tsihstà:ke ne VR atkahránha tahnon onkwathón:te’ne’ ónhka’k yakóhthare ó:ya thikawennò:ten nè:ne yah tekahrónkha. Eh niyohtòn:ne tsi
- [I, Saffron](https://www.peripheralreview.com/i-saffron/) - A warm sensation arises inside of me as I step into the Joan Goldfarb Visual Arts Study Centre. Originally a storage space for artwork that has recently been converted into a small gallery as part of a pilot project, the space is small and cozy. The gallery is well-lit by large circular lights hanging from
- [Justin Aranha’s <i>A Night To Remember</i> at Gallery 44](https://www.peripheralreview.com/justin-aranhas-a-night-to-remember-at-gallery-44/) - Toronto-based photographer Justin Aranha’s first solo exhibition at Gallery 44’s Member’s Gallery transported us to the early summer of our senior high school year. In June 2018 and 2019, Aranha photographed graduating students of his alma mater, St. Joan of Arc CSS (formerly Jean Vanier CCS) in Scarborough, Ontario. A Night to Remember included dozens
- [Lutz Bacher at Treize, Paris](https://www.peripheralreview.com/lutz-bacher-at-treize-paris/) - The martyrdom of Saint Bartholomew, one of the twelve apostles of Jesus, is said to have been the result of being flayed alive for his acts of Christianity by the Armenian King Astyages.1 The saint is often depicted in votive images carrying his flayed skin about him like a cloak, his anatomical musculature exposed as
- [In Confrontation with the Erotic in Hearth's <i>Erotic Awakenings</i>](https://www.peripheralreview.com/in-confrontation-with-the-erotic-in-hearths-erotic-awakenings/) - “We want to hear your narratives,” is the statement that introduces the online exhibition Erotic Awakenings presented online by Hearth Garage. The ongoing virtual exhibit is an archive of personal erotic awakening stories that were collected, written, and submitted by various named and anonymous contributors—a result of a collaboration between curator Fan Wu and Hearth founders Rowan Lynch,
- [Lawrence Abu Hamdan’s Many Silences: "Rubber Coated Steel" (2016)](https://www.peripheralreview.com/lawrence-abu-hamdans-many-silences-rubber-coated-steel-2016/) - In Beirut—or, perhaps equally probable, in Toronto—a woman or a man shakes their head at me. Not the slow back-and-forth of a stubborn “No,” but a rapid jostle, with something like the velocity of a spring recoiling. It means “I don’t understand,” “I didn’t hear you.” Growing up in settler Canadian culture, I learned to
- [Circulations of Intimacy](https://www.peripheralreview.com/circulations-of-intimacy/) - For Abbas Akhavan, Sameer Farooq, and Joshua Vettivelu, intimacy describes an oscillation of investments and outpourings, a rhythm of emotional life. Loss, too, plays an important part in Vacancies, their group show at Toronto’s Towards gallery, though it acts less as the lack of a distant ideal than the vehicle for a circulation of affects.
- [<i>Ask the Mountains</i> at the Campbell River Art Gallery](https://www.peripheralreview.com/ask-the-mountains-at-the-campbell-river-art-gallery/) - In their exhibition Ask the Mountains at the Campbell River Art Gallery, artists Sylvie Ringer and Jenni Schine have built up overlapping pools of sound and colour, carving new depths and dimensions into the gallery, literally changing its physical topography. On a sonic level, Schine’s varied soundscapes vibrate outwards from creature-like wooden ’radians,' built by
- [<i>A Wish Stays With You:</i> Hannah Doucet at PLATFORM Centre](https://www.peripheralreview.com/a-wish-stays-with-you-hannah-doucet-at-platform-centre/) - At the centre is a bright yellow fountain, its three brimming basins ascending like a tiered wedding cake. Perfect circular droplets, forming chains of liquid beads, cascade from the top. This sculpture, Hannah Doucet’s Wish Fountain (2022), installed at PLATFORM as part of her solo exhibition A Wish Stays With You, is doubly deceptive. To
- [To Move; To Struggle; To Live;](https://www.peripheralreview.com/to-move-to-struggle-to-live/) - By Kalina Nedelcheva To Move; Unspeakable truths—I'm drowning,Searching for a mediation betweenBeauty and the grotesqueBut they are absent,Unknown;Broken.Are these abject apologiesThat ring in my ears…Belonging to those who struggle?It is impossibleTo follow these narratives;One relies on destruction,To create meaning…The Drowned; To Struggle; Capture my soul,Twisted in thoughts of a present singularity…What is right and what
- [Co-materializing Across Screens: We Quit Theatre’s <i>805-4821</i>](https://www.peripheralreview.com/805-4821-by-we-quit-theatre/) - On a Thursday night in October 2021, like many other weeknights, I sat down at my small desk, opened my laptop, and logged onto the blank canvas where most modern-day, creative endeavors originate: Google Docs. The blinking cursor beckoned me to press my fingers to my keyboard, but I resisted since I was waiting for
- [A volar entre rocas (To fly between stones) by Mariana Muñoz Gomez](https://www.peripheralreview.com/a-volar-entre-rocas-to-fly-between-stones-by-mariana-munoz-gomez/) - By Francesca Carella Arfinengo On a Saturday afternoon in late March of 2021, I get on my bike and head to Blinkers, a DIY project space in the downtown Exchange District of Winnipeg. It is early spring and there is an icy chill on my ears from the wind. It’s my first bike ride of
- [Honouring the Trees in Reitzenstein’s <i>FML (forests may lie)</i>](https://www.peripheralreview.com/honouring-the-trees-in-reitzensteins-fml-forests-may-lie/) - By William Brereton After a few deep breaths, I took many strolls among the mysterious yet beautiful installation works of Reitzenstein (the artist formerly known as Reinhard Reitzenstein) in FML (forests may lie) at Olga Korper Gallery in Toronto. The exhibition showcased a survey of the artist’s latest sculptural and photographic works that have signified
- [Liza Eurich: <i>pockets, postscripts, peonies</i>](https://www.peripheralreview.com/liza-eurich-pockets-postscripts-peonies/) - By Kim Neudorf Positioned like an offering at the entrance to artist Liza Eurich’s exhibition, a paper cone holds a gathering of peonies. However, on a closer look, the paper cone is a shirt sleeve with a buttoned-up cuff cast in pale-peach resin. There’s a muted, soft quality to the combination of violet-pink, dark green
- [<i>La Cintura Cósmica del Sur (The Cosmic Waist of the South)</i> at Fazakas Gallery](https://www.peripheralreview.com/la-cintura-cosmica-del-sur-the-cosmic-waist-of-the-south-at-fazakas-gallery/) - By Angie Rico In the Southeast borough of Xochimilco, Mexico, is an oasis of yore, solidified in popular tradition for city dwellers and tourists alike to visit the remaining lacustrine zones trapped among the sweltering chaos of Mexico City. The silent and robust trajineras are the transportation of choice for these terrains that offer one
- [<i>What Remains to be Seen:</i> Gonzalo Reyes Rodríguez at Blinkers Art + Projects](https://www.peripheralreview.com/what-remains-to-be-seen-gonzalo-reyes-rodriguez-at-blinkers-art-projects/) - By Madeline Bogoch There’s an obvious irony in the title of Gonzalo Reyes Rodríguez’s recent exhibition, New Photographs, which revolves around a pack of thirty-year-old photographs the artist acquired in Mexico City. Dated between 1987 and 1993, the photos depict a young, seemingly queer man who signed the backs with the enigmatic moniker, “Technoir.” The
- [The Garden of Spoil: Maria Simmons’ <i>Rat, Plastic, Wood</i>](https://www.peripheralreview.com/the-garden-of-spoil-maria-simmons-rat-plastic-wood/) - By Chris Hampton I’d never noticed the building at 10 Tom Street in West Hamilton, a Sunday school tucked behind an old church, let alone considered there’d be any reason to explore its basement. Past the doors, the scent greeted me first: fresh and mineral, like the smell of earth after a rainfall (but on
- [The Group Show Garden Metaphor: <i>You Sit in a Garden</i> at Centre Clark](https://www.peripheralreview.com/the-group-show-garden-metaphor-you-sit-in-a-garden-at-centre-clark/) - By Elora Crawford If a sculpture garden was the “original” group show, which could be said, the central conceit in You Sit in a Garden brings the exhibition back to its roots. In the 1990s archeologists found broken stalagmites arranged just so in the Bruniquel Cave in France. The crystalline structures were set down in
- [Wall Drawing #1 and Wall Drawing #2: A Conversation between Sean Weisgerber, Daniel Griffin Hunt and Rebecca Travis](https://www.peripheralreview.com/wall-drawing-1-and-wall-drawing-2-a-conversation-between-sean-weisgerber-daniel-griffin-hunt-and-rebecca-travis/) - Sunday March 20, 2022, 1pm EST. Three individuals (Sean Weisgerber, the artist; Daniel Griffin Hunt, curator of The Size of a Credit Card at the plumb; and Rebecca Travis, Curator and Collections Manager at Open Studio) meet at Open Studio in downtown Toronto to look at and discuss Weisgerber’s solo exhibition at the gallery’s Feature
- [Contorting Ourselves to Appease Them All: Alexa Hawksworth’s <i>Semi-Detached New Build</i> at Projet Pangée](https://www.peripheralreview.com/contorting-ourselves-to-appease-them-all-alexa-hawksworths-semi-detached-new-build-at-projet-pangee/) - By Kate Kolberg You’re sitting, reading in a cafe. Your brain announces to itself: “I’m a reader,” as if somehow that makes you virtuous. In theory, the book’s subject is interesting, but if you’re honest with yourself, you’re struggling to get through a single page, let alone internalize the information being presented to you. Instead,
- [Making your way under darkness: <i>Moonshow</i> at the plumb](https://www.peripheralreview.com/making-your-way-under-darkness-moonshow-at-the-plumb/) - By Dana Snow The Moon is the eighteenth card in the traditional Rider-Waite Tarot deck. When the Moon reveals itself in a reading, it signifies that a time of reflection, intuitive dreaming and evolution lie ahead. The moon whispers softly to us and guides us to the gates of the unknown, insisting on a balance
- [A Rib Looks Like a Shoreline: Colin W. Davis at Between Pheasants Contemporary](https://www.peripheralreview.com/a-rib-looks-like-a-shoreline-colin-w-davis-at-between-pheasants-contemporary/) - By Alex Gregory The romantic urban dream of starting a commune, or quaintly living in cottage country, differs greatly from the reality of maintaining a prosperous farm. Such urban perceptions of rural living can seem out of touch, as country life comes with a responsibility to the land and to maintaining community values. This reinforces
- [The Invisible Institution: How pandemic troubles have re-shaped our understandings of institutional education, and reminded us of our communal and bodily existences](https://www.peripheralreview.com/the-invisible-institution-how-pandemic-troubles-have-re-shaped-our-understandings-of-institutional-education-and-reminded-us-of-our-communal-and-bodily-existences/) - By Ella Adkins Between January and March of 2021, my Monday to Friday ritual went a little bit like this: I’m sitting on Zoom, and a grid of familiar strangers looks back at me. I see myself in the top left corner next to my professor. My hair is slightly unkempt after my daily pilates
- [Images of Mothers with Breasts: A Conversation between Amanda Boulos and Jasmine Reimer](https://www.peripheralreview.com/images-of-mothers-with-breasts-a-conversation-between-amanda-boulos-and-jasmine-reimer/) - In She Can Cook a Potato in Her Hand and Make it Taste Like Chocolate, an artistic research and exhibition project led by Jasmine Reimer, she investigates Neolithic goddess mythology and symbols with twelve artists, researchers and academics, including Toronto-based artist Amanda Boulos. Interviews related to the project took place over Zoom and subsequent email
- [Best Before: Colby Richardson’s <i>Performance for Aging Apple Devices</i>](https://www.peripheralreview.com/best-before-colby-richardsons-performance-for-aging-apple-devices/) - By Madeline Bogoch Last year at Platform Centre in Winnipeg, during a slyly theatrical lecture-performance by emerging media artist Colby Richardson, the tall and affable filmmaker quoted fellow Winnipeg artist Mike Maryniuk: “I work with the latest technology to hit the local thrift stores.” This sentiment is an ethos that echoes through Richardson’s interdisciplinary practice,
- [Duality Paradox: A Group Zine Exhibition at Ranger Station Gallery](https://www.peripheralreview.com/duality-paradox-a-group-zine-exhibition-at-the-ranger-station-gallery/) - By Courtney Miller On a wet and windy afternoon, I followed the road wrapping the southeast shoreline of Harrison Lake in Harrison Hot Springs, BC, to reach the Ranger Station Gallery. Situated on unceded Sts’ailes territory, in a touristy village 131 kilometres east of Vancouver, the gallery is on the periphery of the West Coast
- [Emptiness Ran Rife: Rina Lyshaug's Narratives from the Emptiest Place](https://www.peripheralreview.com/emptiness-ran-rife-rina-lyshaugs-narratives-from-the-emptiest-place/) - By Stephanie Wu Amidst the busy network of overhead trolleybus wires, two massive LED screens are situated on one of the many glass-lined commercial buildings that define the landscape of Downtown Vancouver. With a height spanning two floors, the screens emit their bright light towards the ground for hundreds of pedestrians at Robson and Granville
- [Democracy has Fallen: Howie Tsui at The Power Plant](https://www.peripheralreview.com/democracy-has-fallen-howie-tsui-at-the-power-plant/) - By Jacqueline Kok Democracy is said to be under threat in various countries across the world, such as the United States, Brazil and Venezuela. Political leaders like Trump, Bolsonaro and Maduro have been heavily scrutinized for their divisive policies that have caused political unrest. In Hong Kong, the people face a similar situation: protesters routinely
- [A Taxonomy of Strangers: Libby Oliver’s <i>Soft Shells</i>](https://www.peripheralreview.com/a-taxonomy-of-strangers-libby-olivers-soft-shells/) - By Tyler Muzzin The photographs in Libby Oliver’s series Soft Shells engender the same paradoxical nature that the title implies: they are portraits that conceal the subject, while revealing more about the subject’s individuality than most portrait photography could ever hope to achieve. Exhibited at Gallery Stratford, on the edge of the Shakespeare Festival grounds
- [Affirmations for Wildflowers: An Ethnobotany of Desire: Tania Willard at SFU Audain Gallery](https://www.peripheralreview.com/affirmations-for-wildflowers-an-ethnobotany-of-desire-tanya-willard-at-sfu-audain-gallery/) - By Andrea Valentine-Lewis WE can CHANGE the FUTURE is INDIGENOUS the Land is STRONG I AM the FUTURE the REVOLUTION has COME I am the LAND I have VALUE Tania Willard’s Affirmations for Wildflowers: An Ethnobotany of Desire, ran from September 14th to November 13th, 2020, within the street-facing windows of the SFU Audain Gallery.
- [<i>Ninga Mìnèh</i>: Caroline Monnet at Montreal Museum of Fine Arts](https://www.peripheralreview.com/ninga-mineh-caroline-monnet-at-montreal-museum-of-fine-arts/) - By Didier Morelli In her first solo museum exhibition in Canada, presented by the Montreal Museum of Fine Arts (MMFA), Caroline Monnet chose eighteen recent works for Ninga Mìnèh, many of which had never previously been shown. Following her rise to prominence in the local (2020 Pierre-Ayot Award), national (2020 Sobey Art Award), and international
- [<i>Grounding</i> at the Art Gallery of Guelph](https://www.peripheralreview.com/grounding-at-the-art-gallery-of-guelph/) - By Juilee Raje While a second provincial lockdown was looming around the corner last winter, my mother and I managed to squeeze in one last visit to the Art Gallery of Guelph. The thrill of getting to see a few exhibitions in person (rather than the tiresome ordeal of clicking through virtual shows online) was
- [The Objects That We Carry: Lorena Salomé at Trinity Square Video](https://www.peripheralreview.com/the-objects-we-carry-lorena-salome-at-trinity-square-video/) - By Noor Alé Migrancy, and its generative potential to create a series of movements, is an enduring interest of Lorena Salomé—a Toronto-based Argentinian artist—whose practice employs technology to activate commonplace objects and dismantled electronics to create kinetic works. In Salomé’s exhibition, The Objects We Carry1 at Trinity Square Video, co-presented with Public Visualization Lab in
- [when the big E unfurls its tongue: Michael Lachman at CSA Space](https://www.peripheralreview.com/when-the-big-e-unfurls-its-tongue-michael-lachman-at-csa-space/) - By Alexandra Box “Man’s greatness is always to recreate his life, to recreate what is given to him, to fashion that very thing which he undergoes. Through work he produces his own natural existence. Through science he recreates the universe by means of symbols. Through art he recreates the alliance between his body and his
- [<i>Structures for the Expanded Plane</i> at YYZ Artists' Outlet](https://www.peripheralreview.com/structures-for-the-expanded-plane-at-yyz-artists-outlet/) - By Casey Hinton It's a familiar scene used in countless films: the slow drift of bright car headlights shoot through a window, casting diagonally shifting patterns across a dark interior wall. This haunting cinematic moment was replicated in Chris Foster's solo exhibition, Structures for the Expanded Plane, at YYZ Artists' Outlet in Toronto in January
- [<i>Tie-Dye for Germans</i> at Angell Gallery](https://www.peripheralreview.com/tie-dye-for-germans-at-angell-gallery/) - By Stephanie Cormier Tie-Dye for Germans is an intimate and intensely radiant exhibition of paintings by Janine Miedzik in the Project Space at Angell Gallery. These new works have emerged by bringing together the ways Miedzik has previously approached materials, including a dialogue between her painterly and sculptural approaches to making work. Her combination of painting and
- [Art for Future Humans: Camille Jodoin-Eng’s <i>Earth Shrine</i>](https://www.peripheralreview.com/art-for-future-humans-camille-jodoin-engs-earth-shrine/) - By Megan MacLaurin If the trajectory of our contemporary era is one of environmental destruction, how will this legacy be felt by people 10,000, or even 100,000 years from now? What will these future humans know about us?—that is, if our species manages to survive its own self-annihilating habits at all. One possible way to
- [Ursula's Garden at Sibling](https://www.peripheralreview.com/ursulas-garden-at-sibling/) - By Alex Lepianka I am surrounded by two hundred and twenty-two plaster polyps cast in place along the perimeter of Sibling’s gallery floor. The forms, which make up Robert Anthony O’Halloran’s installation Ursula’s Garden, are nippled, bellied and creased, with a rare few still stretching the condoms in which they were cast. Pushed up against
- [Fermentation for the Spirit: Auto-reflections on the rise of sourdough art and glutinous practices. Part 3](https://www.peripheralreview.com/fermentation-for-the-spirit-auto-reflections-on-the-rise-of-sourdough-art-and-glutinous-practices-part-3/) - By Lauren Fournier and Greta Hamilton This essay is the final instalment in a three-part series on culinary fermentation practices and their recent associations in the art world. “Fermentation for the Spirit” considers the rise in popularity of sourdough bread baking during the start of the pandemic, while theorizing on the larger social, political, and cultural
- [Fermentation for the Spirit: Auto-reflections on the rise of sourdough art and glutinous practices. Part 2](https://www.peripheralreview.com/fermentation-for-the-spirit-auto-reflections-on-the-rise-of-sourdough-art-and-glutinous-practices-part-2/) - By Lauren Fournier and Greta Hamilton This essay is the second in a three-part series on culinary fermentation practices and their recent associations in the art world. “Fermentation for the Spirit” considers the rise in popularity of sourdough bread baking during the start of the pandemic, while theorizing on the larger social, political, and cultural
- [Fermentation for the Spirit: Auto-reflections on the rise of sourdough art & other glutinous practices. Part 1](https://www.peripheralreview.com/fermentation-for-the-spirit-auto-reflections-on-the-rise-of-sourdough-art-other-glutinous-practices-part-1/) - By Lauren Fournier and Greta Hamilton This essay is the first in a three-part series on culinary fermentation practices and their recent associations in the art world. "Fermentation for the Spirit" considers the rise in popularity of sourdough bread baking during the start of the pandemic, while theorizing on the larger social, political, and cultural
- [consciously incoherent: anti-aesthetics & associational networks in 'fractured horizon—a view from the body'](https://www.peripheralreview.com/consciously-incoherent-anti-aesthetics-associational-networks-in-fractured-horizon-a-view-from-the-body/) - By Zach Pearl The poignance of an exhibition is often measured by its ability to distil a historical moment, letting it hang in the air like luminous vapour. Amongst the media art exhibitions of the last year, perhaps none were more poignant than the eight-part artist video series, fractured horizon — a view from the
- [The shape of your face, the speed of your speech](https://www.peripheralreview.com/the-shape-of-your-face-the-speed-of-your-speech/) - The Toronto Experimental Translation Collective (TETC) is a group of six artists and thinkers: Benjamin de Boer, Nicholas Hauck, Fan Wu, Eddy Wang, Yoyo Comay, and Ami Xherro. The collective first met and lived together at Artscape Gibraltar Point on Toronto Island in summer of 2020. Since then, they’ve been exploring the possibilities of collective
- [New Strata at Hearth Garage](https://www.peripheralreview.com/new-strata-at-hearth-garage/) - By Angel Callander The year 2020 was, for many, characterized by forcing our collective attention toward myriad social issues, emphasizing not only their interdependence on each other, but on exploitation and class differences as well. It became clear very quickly that ‘essential’ jobs are the ones that cannot be done from home; they are also
- [A Conversation with Sean Sprague](https://www.peripheralreview.com/a-conversation-with-sean-sprague/) - By Zoe Koke Video: Plant, 2015 by Sean Sprague. Courtesy of the artist. ZK: The staged and polished quality of your work lends itself to connections with cinema, can you speak to that connection and what it means to you? SS: My younger self was impressed by “the show” of big productions. I worked on
- ["Felt Good, Everyone Knows It"](https://www.peripheralreview.com/felt-good-everyone-knows-it/) - By Megan Gnanasihamany Let's pretend that we're at a show. It’s sometime before last March, any night of the week. Early evening, but this is winter, and the sun has been set for hours already. We shrug our coats off into the all-black pile. I'll retrieve mine later to wear it loose over my shoulders,
- [A Correspondence on 'Memory Palace' at Franz Kaka](https://www.peripheralreview.com/memory-palace-at-franz-kaka/) - By Parker Kay and Madeleine Taurins Thursday, September 10, 2020: Robin Cameron’s solo exhibition titled Memory Palace opens at Franz Kaka’s new location at 1485 Dupont Street. Sunday, September 13, 2020: Parker, We were both headed to see Robin Cameron’s exhibit Memory Palace. I was walking, you were riding your bike. We had apparently chosen
- [Jeremy Shaw’s 'Phase Shifting Index' at Centre Pompidou](https://www.peripheralreview.com/jeremy-shaws-phase-shifting-index-at-centre-pompidou/) - By Helen Lee There is no fresher horror to the modern-day luddite than the social media Live Video function. In the Live Video, the subject is tripled: there is the subject filming, the subject being viewed, and the subject auto-saved for posterity by the filming interface. Live Video has a forebearer in performance art, such
- [James Knott: Plenty of Fish](https://www.peripheralreview.com/james-knott-plenty-of-fish/) - By Shalon T. Webber-Heffernan Plenty of Fish opens with James Knott’s shadow dramatically shaving off body hair behind a dimly lit partition to an assemblage of sounds. The West Side Story tune “I Feel Pretty” harmonizes with the clamouring of an electric razor, sheep shearing, and the buzz of a lawn mower. Meanwhile, the famously
- [Well Now WTF?](https://www.peripheralreview.com/well-now-wtf/) - By Shauna Jean Doherty Since the early 1990s, the Internet has served as a medium, as well as a site of connection and presentation for artists situated across the globe. Art made specifically for online contexts is inherently ephemeral and infinitely reproducible, qualities which have historically hindered Internet Art from being readily taken up in
- [A Portal to a Moment: 'Aǧúyabskuyela' by Suzanne Kite](https://www.peripheralreview.com/a-portal-to-a-moment-aǧuyabskuyela-by-suzanne-kite/) - By Susie Winters At the center of the frame, a white-frosted cake sits like a full moon on a dark wood table. Suzanne Kite drops her palms to either side of the orb, her red fingernails glinting up to the camera. “This performance is about death,” Kite warns her viewers before she commences a live-stream
- [Eli Langer: Paintings](https://www.peripheralreview.com/eli-langer-paintings/) - By Gregory Humeniuk Dear N, It was great to catch up with you and R in Winnipeg in February. Visiting Plug In and the WAG reminded me of how much I miss the essential pleasure of an exchange about art before art. Clint Roenisch’s Eli Langer exhibition would have been an antidote to the usual
- [The Sacred Particularities of Care: Julie Oh's 'Tunnel, Air, Mother'](https://www.peripheralreview.com/the-sacred-particularities-of-care-julie-ohs-tunnel-air-mother/) - By Nic Wilson A labyrinth is distinguished from a maze by its lack of dead ends and by its unicursal paths. The traveler is easily disoriented by the winding path, moving against their intuition and sense of direction. In the concentric circles and hairpin turns, the walker moves along a line that bends in on
- [Walk into America](https://www.peripheralreview.com/walk-into-america/) - By Patryk Stasieczek I surprised Zoe Koke at an exhibition of hers in an East Vancouver multipurpose space. She didn’t notice me immediately, so I watched as she remedied an unwanted peekaboo of wood and canvas behind a piece of tapestry that was a part of her installation. Her movements reminded me how long it
- [Vague Appropriation](https://www.peripheralreview.com/vague-appropriation/) - By Michael Eddy “If I want to imagine a fictive nation, I can give it an invented name, treat it declaratively as a novelistic object, create a new Garabagne, so as to compromise no real country by my fantasy (although it is then the fantasy itself I compromise by the signs of literature). I can
- [Between Ice and Earth](https://www.peripheralreview.com/between-ice-and-earth/) - By Chris Gismondi The exhibition, Between Ice and Earth which took place last summer at Xpace Cultural Centre, celebrated a close-knit community of Indigenous OCAD students, transcended barriers, and vibrated with a palpable uneasiness. The showing by Ana Morningstar, Dehmin Osawamick Cleland, Megan Feheley, Laura St. Amant, Amanda Amour-Lynx, Ben Kicknosway, Kaya Joan, and Tom
- [Battery of Questions for Combat and Product Photographers](https://www.peripheralreview.com/battery-of-questions-for-combat-and-product-photographers/) - By Derek Coulombe Does air change in a war zone? I mean the nature of air itself—its tactile, sensible qualities. If so, are you able to describe it? Is it denser upon the skin? Does it carry sensation, time?—does it bear a smell? If so, of whom? How often, when picturing a velvet bedspread, suit,
- [Witch Weather](https://www.peripheralreview.com/witch-weather/) - By Lillian O'Brien Davis There is a moment in a gust of wind that precedes a rumbling stormy sky, when I suddenly feel different. A sudden restlessness comes over me, a sense of longing for a place that does not exist, perhaps buried in the ashes of a village destroyed by merchants seeking to sell
- [Shape of Dance](https://www.peripheralreview.com/shape-of-dance/) - By Juilee Raje My friends shudder when I bring up the story of when I bit into a glass as a young child. As the story goes, I could barely see past the table at a restaurant, surrounded by indolent chatter from my family. In the middle of the meal, as my father recalls,
- [Methods of Parallax: Works by Robin Kingsburgh and David Griffin](https://www.peripheralreview.com/methods-of-parallax-works-by-robin-kingsburgh-and-david-griffin/) - By Shannon Foskett “Science does not have a monopoly on empiricism,” historian David Topper once noted, arguing that empirical matters are, in fact, “germane to all visual imagery.” (1) Recognizing the role of visual images in the production of theoretical knowledge means understanding that their value extends beyond mute illustration to their unique capacity
- [Tracking Intuitions](https://www.peripheralreview.com/tracking-intuitions/) - By Alisha Mascarenhas To be guided by soft signs requires listening on a subtler frequency than usual; attending to what’s quiet and shimmering beneath the surface impressions of the mind. This is not an easy task in New York City, where everywhere are threats of sensory aggressions, sirens, and structurally established determinants of where
- [The Oral Logic by Xuan Ye](https://www.peripheralreview.com/the-oral-logic-by-xuan-ye/) - By Emily Fitzpatrick In the early 2000’s, the Defense Advanced Research Projects Agency (DARPA), an agency under the United States Department of Defense working on social forms of Artificial Intelligence (AI), began to develop machine-learning agents that could cognitively engage with each other, their environment, and essentially ‘learn’ from their experiences in a simulation.
- [Bending toward Liberation: 'Libertad' at Dazibao](https://www.peripheralreview.com/bending-toward-liberation-libertad-at-dazibao/) - By Angel Callander Ana Mendieta’s work embodied the complexities of nature, sovereignty, and taking up space. In Libertad, shown at Dazibao in Montréal from September 7 to October 19, 2019, French-Colombian artists Karen Paulina Biswell and Laura Huertas Millán appear alongside Mendieta to examine the sensual and material forces that impact the experiences of women,
- [A Matter of Connection: Terry-Dayne Beasley's “Proud to Honour”](https://www.peripheralreview.com/a-matter-of-connection-terry-dayne-beasleys-proud-to-honour/) - By Ella Adkins When I moved into my new apartment this past November, I started hanging up the bits of ephemera I’ve collected along the way: a framed, embroidered bouquet of pink flowers, two large nude monochrome prints I made in that one elective at university, and a certificate. It’s printed on thick paper,
- [Right Hook, Release: Muscled Rose at Scrap Metal](https://www.peripheralreview.com/right-hook-release-muscled-rose-at-scrap-metal/) - By Philip Leonard Ocampo At the opening of Muscled Rose, I didn’t get a proper look at Divya Mehra’s There are Greater Tragedies (2014). The same goes for my return visit, as the wind is blowing the large flag in a direction that makes the text on it difficult to read. I feel unfocused
- [Colour, abstraction, and queerness in the art of Derek Dunlop](https://www.peripheralreview.com/colour-abstraction-and-queerness-in-the-art-of-derek-dunlop/) - By Hannah Godfrey and speak in vain to the silent ash
- [Snail Inventory Sheet: Georgia Dickie at Oakville Galleries](https://www.peripheralreview.com/snail-inventory-sheet-georgia-dickie-at-oakville-galleries/) - By Kate Kolberg As I walked through Agouti Sky, Georgia Dickie’s solo exhibition at Oakville Galleries, I kept hearing my dad’s voice in my head. “Let’s see what’s in inventory,” the phrase he habitually announces before hastening off to his basement workshop to find something. Though my father would argue otherwise, the room is
- [Data Smudge: Age of You at MOCA Toronto](https://www.peripheralreview.com/data-smudge-age-of-you-at-moca-toronto/) - By Rowan Lynch When I am alone, my phone screen is the first and last thing I interact with over the course of a day. I would prefer to be someone who reads themselves to rest, rather than making my stilted way towards unconsciousness in my phone’s dim light, but this pattern has run
- [Gabriel Peña Tijerina at TAP Art Space](https://www.peripheralreview.com/gabriel-pena-tijerina-at-tap-art-space/) - By Megan Gnanasihamany You know this surface intimately. Walking past a window, you catch your reflection walking with you—an intangible body double, flat and eerily transparent, skimming the line between interior and exterior until you reach the building’s edge, and the reflected “you” disappears. In Gabriel Peña Tijerina’s more., the architectural glass surface is
- [Our Ancestors Are Laughing at Us: Talking Comedy, TV, and Cancel Culture with Life of a Craphead, Kiki, and more](https://www.peripheralreview.com/our-ancestors-are-laughing-at-us-talking-comedy-tv-and-cancel-culture-with-life-of-a-craphead-kiki-and-more/) - By Chelsea Rozansky Part 1: A weird garage at the Toronto Biennial Writing about the work of Life of a Craphead, the art collective of Amy Lam and Jon McCurley, Artists-in-Residence during the Toronto Biennial of Art (September 21 - December 1, 2019), presents one with the frustration of explaining a joke. “We’re
- [Teresa Tam’s '2 cents cart'](https://www.peripheralreview.com/teresa-tams-2-cents-cart/) - By Stephanie Wong Ken A small crowd gathered around Teresa Tam’s 2 cents cart, set up in front of the CommunityWise Resource Centre in downtown Calgary. The performances were part of the programming curated by Signy Holm called Fare Trade: a fundraiser for M:ST Performative Art Festival. Around the corner, there’s an upscale eatery
- [The Shadow of Sirius: Jennifer Murphy at Clint Roenisch](https://www.peripheralreview.com/the-shadow-of-sirius-jennifer-murphy-at-clint-roenisch/) - By Penelope Smart The moment at evening when the pictures set sail from the walls — excerpt from “Cargo” by W.S. Merwin Pictures on the wall in Jennifer Murphy’s The Shadow of Sirius stand tall and still. In the gallery, jewel toned birds, moths, dragonflies, frogs and flora of human-scale have migrated from a
- [Length, Breadth, Thickness and—Duration by Beth Stuart](https://www.peripheralreview.com/length-breadth-thickness-and-duration-by-beth-stuart/) - by Daniella Sanader 1. If you’ve spoken to me recently, I may have told you my (unresearched and unsubstantiated) theory about dreams and déjà vu. I usually proceed to explain that while I rarely remember my dreams, I am regularly struck with quietly disorienting bouts of déjà vu, something like once or twice a month.
- [Break-and-Enter: On the Exhibition 'Undomesticated'](https://www.peripheralreview.com/break-and-enter-on-the-exhibition-undomesticated/) - By Zach Pearl in miniature The mid-century modern across the street, now composed, perfectly centered within the window of the storm door, appeared angelic and fantastically distant in its miniature state. (1) Unassuming power poles and trees were mirrored in the wetness of the street, and they seemed to extend forever, piercing the top and
- [Nadia Gohar: Mudstone at ESP](https://www.peripheralreview.com/nadia-gohar-mudstone-at-esp/) - By Chris Andrews The day before visiting Cairo-born artist Nadia Gohar’s Mudstone at Erin Stump Projects, I read in the news that Mohamed Morsi, the first democratically-elected president of Egypt, had died in court—or rather, was forced into living in prison conditions that may have led to his early passing. Morsi had eventually betrayed
- [Tina Guyani | Deer Road](https://www.peripheralreview.com/tina-guyani-deer-road/) - By Juilee Raje A hide suspended from the ceiling engulfs the room in a tawny glow. Though when I first walked into the gallery I was bathed in warm light and brightly coloured blankets, a closer inspection of the works revealed encounters with baleful spirits. A lone footstool conjured a somnolent ache for warmth, a
- [Blur at the Art Gallery of Ontario](https://www.peripheralreview.com/blur-at-the-art-gallery-of-ontario/) - By Ricky Varghese In the Right of Inspection, Jacques Derrida wrote of the medium of photography in these terms: “You could speak of…[a photograph] as of a thinking, as a pensiveness without a voice, whose only voice remains suspended.” I was reminded of this evocative description when I saw Sandra Brewster’s show Blur, on
- [Like Home](https://www.peripheralreview.com/like-home/) - By Graham Wiebe I’m sitting outside what used to be my studio drinking a terribly sweet, one dollar iced coffee. I’m trying to comprehend that all the artwork I’ve ever made is gone; burnt and lost in the fire. As the ice cubes disappear into the milky, shit water, I imagine myself standing inside
- [Fortune Flavors the Bold at Xpace's Project Space](https://www.peripheralreview.com/fortune-flavors-the-bold-at-xpaces-project-space/) - By Rebecca Casalino Before entering Arezu Salamzadeh’s Fortune Flavors the Bold you must take off your shoes. Sock-footed, you are greeted by glittering red foam installed over the floor of Xpace Cultural Centre's Project Space. Dark teal walls enclose the gallery, framing crates and shelves of items for sale. Fresh mandarin oranges are available
- [The Sentient Object: Calder versus Hay](https://www.peripheralreview.com/the-sentient-object-calder-versus-hay/) - By Maryse Arseneault Last winter the Montréal Museum of Fine Arts held a retrospective on Alexander Calder, which offered a rare chance to share space with his famous mobiles, arguably the precursors of kinetic art. Breaking the threshold between abstraction and figuration, Calder's suspended creature-like objects were born from subtle mechanisms with slow reactions
- [Towards a Contemporary Caprice: Every empire has an end at Franz Kaka](https://www.peripheralreview.com/towards-a-contemporary-caprice-every-empire-has-an-end-at-franz-kaka/) - By Lucas Regazzi Capriccio, or Caprice—as it’s been anglicized—refers to a historical genre of painting developed over the 16th to 18th century. Artists of the genre proposed, for the first time in Western history, that ruination architecture be ushered from background to subject. Immediately preceding this, architectural depiction in the Roman tradition of painting
- [Animal Love: Catherine P. at Egret Egress](https://www.peripheralreview.com/animal-love-catherine-p-at-egret-egress/) - By Jessica Baldanza At first glance, the titular Animal Love of Catherine P.’s solo exhibition at Egret Egress is puppy love—the kind of sanguine affection one feels capable of in the early days of a new romance. This impression is gleaned from Catherine P.’s saccharine artist’s statement, as well as the soft textile wall-works
- [Night Sweat: Elizabeth McIntosh at Tanya Leighton Gallery](https://www.peripheralreview.com/night-sweat-elizabeth-mcintosh-at-tanya-leighton-gallery/) - By Jasmine Reimer I’ve always admired the energy with which Elizabeth McIntosh delivers paint. It’s not dramatic and performed like slinging or flinging or pouring. It's spontaneous and less grandiose, instantaneous like a thought that propels you out of a chair. I can trace her movements with my eye and then vicariously with my
- [Tal Sofia: I am so afraid of words at Ignite Gallery](https://www.peripheralreview.com/tal-sofia-i-am-so-afraid-of-words-at-ignite-gallery/) - By Chelsea Rozansky In 1933, Sophie Rosenbaum packed her things and left her native Berlin to go to Argentina. Among her possessions was a collection of postcards, one side bearing pictures of celebrities popular in Germany when Rosenbaum was a kid: famous singers, movie stars, directors. On the other side were autographed signatures and
- [With a Soft Gaze: Hazel May Eckert’s Over Time](https://www.peripheralreview.com/with-a-soft-gaze-hazel-may-eckerts-over-time/) - By Kate Lahey My grandmother grew up living off the land in Taylor’s Bay, on the southern coast of Newfoundland. This means she grew up guided by hands and the things they make. Stitching, kneading, scrubbing, salting, holding, harming—a soft mechanics passed down to me, with all the knowledge they carry and all the
- [Silver 35: Mike Goldby at Sibling](https://www.peripheralreview.com/silver-35-mike-goldby-at-sibling/) - By Parker Kay How am I going to get to The Junction to see this show? As I think about the various routes I might take to arrive at Sibling, I realize I am staring blankly at my phone, whose screen has since locked. I find myself in what I have learned to identify
- [Untitled (eyelids): Jordan Loeppky-Kolesnik at PS311](https://www.peripheralreview.com/untitled-eyelids-jordan-loeppky-kolesnik-at-ps311/) - By Zoe Koke In 2018, artist Mat O’Hara modified an adjoined section of his MFA grad studio into an ad-hoc project space called PS311. The space opened with Untitled (eyelids), a video installation by Jordan Loeppky-Kolesnik. eyelids was created in the throes of Jordan’s final MFA year, and it bears the marks of this experience—its
- [DIY Karma Kit: Adam Revington at Support](https://www.peripheralreview.com/diy-karma-kit-adam-revington-at-support/) - By Brennan Kelly They’re all turned away; faces pressed against the wall. The wood frames circumscribing their borders evince this rotational reversal, displaying the typically undisplayed—incidental flecks of paint, v-nails clasping mitred joints, hardware insets, and vacant nail holes. Despite their reversed orientation, each frame is still performing its principal function, framing (and thereby
- [An Unexpected Intimacy: Marika Vandekraats' performance 'Washing Hands with Soap in the Shape of my Mother's Hands'](https://www.peripheralreview.com/an-unexpected-intimacy-a-discussion-of-marika-vandekraats-performance-washing-hands-with-soap-in-the-shape-of-my-mothers-hands-2018/) - By Ella Adkins The impermanence of our physical bodies is a reality that humans must constantly deny. For many, the so-called “degradation” of our physical selves through processes such as aging and sickness is something to be hidden, denied by lotions and serums, or frantically ‘cured’ by pills, medicines and procedures. There is an
- [Folly](https://www.peripheralreview.com/folly/) - By Chris Andrews A water-misting system attached to the ceiling of VIE D’ANGE gallery sprayed the subtle, unobtrusive artworks of Abbas Akhavan’s exhibition, Folly. Untitled (2018) is a homogeneous arrangement of materials comprised of an erratic boulder, a vintage fur coat and a plastic shopping bag. From a distance, the fur coat looked like
- [how does a .jpg feel against your skin?](https://www.peripheralreview.com/how-does-a-jpg-feel-against-your-skin/) - By Shauna Jean Doherty By what metrics can you measure a digital object when it is situated in physical space? How (much) does it weigh? How does a .jpg feel against your skin? In this exhibition, first-time collaborators Sophia Oppel and Blair Swann presented a curated repository of images that link together, often abstractly, in
- [A Poetic Gesture: Night Shade by Claire Christerson](https://www.peripheralreview.com/a-poetic-gesture-night-shade-by-claire-christerson/) - By Karina Iskandarsjah The night-time is when we accumulate and ruminate on all of our thoughts, feelings, and memories—whether we like it or not. It is when the darkness of the world pools with the dark parts of our nature; our scars and internal struggles. Claire Christerson’s multimedia solo exhibition, Night Shade, tells us
- [Speculative Methodologies: Veils of a Bog at the Western Front](https://www.peripheralreview.com/speculative-methodologies-veils-of-a-bog-at-the-western-front/) - By Gillian Haigh Just beyond the small reception area of the Western Front, a black doorway called to me. Inside, a chorus of echoing crickets and croaks harmonized with an unworldly drone. The noise beckoned me into the tenebrous space, pulling me through the doorway into a cloth hallway cloaked in total darkness. The
- [History is a Passive Translator](https://www.peripheralreview.com/history-is-a-passive-translator/) - By Lauren Lavery The history of a space is burdened. When looking at a space, these histories become apparent, but they also go into hiding. When I consider of the history of a building, I first think of the material it is made of: clay bricks, concrete, wood, plaster. But what about the non-visible
- [Sounds Not Heard: Sound Sculptures by Adam Basanta](https://www.peripheralreview.com/sounds-not-heard-sound-sculptures-by-adam-basanta/) - By Shauna Jean Doherty Adam Basanta’s compositions (whether material or sonic) possess a resonance that deconstructs the foundational principles of acoustics: his work sees sound, composes silence, and locates melody in the din of a hum. Through the creation of sculptures that oscillate between the absence and presence of sound, Basanta reflects on a
- [The Beautiful Corpse: Tamara Henderson’s Season’s End: Out of Body](https://www.peripheralreview.com/the-beautiful-corpse-tamara-hendersons-seasons-end-out-of-body/) - by Christine De Vuono Approaching Tamara Henderson’s Seasons End: Out of Body exhibition in Oakville’s Centennial Gallery, one is greeted by a display reminiscent of an ethnographic collection of an ancient culture’s esoteric regalia and artifacts. The collection of robed figures stand in a dense, haphazard formation, curiously pulling the viewer into their maze-like
- [Embedded Here, in Cracks and Niches:  Shannon Garden-Smith & Emily Smit-Dicks at 8eleven](https://www.peripheralreview.com/embedded-here-in-cracks-and-niches-shannon-garden-smith-emily-smit-dicks-at-8eleven/) - By Tiffany Schofield Bestowed on us at the entrance of She Makes Two From One and One, a two-person exhibition by Shannon Garden-Smith and Emily Smit-Dicks, is a text by Jasmine Reimer. “At the table, the sisters wear plastic scraps of light”, an excerpt of the poetic work reads. It’s a fitting narrative, for
- [Real Estate Developers as Curators?: Westbank’s Fight for Beauty](https://www.peripheralreview.com/real-estate-developers-as-curators-westbanks-fight-for-beauty/) - By Brit Bachmann “This exhibition is an attempt to illicit your support. We want you to buy in, to sign up, and join us in what we see as nothing less than an essential endeavour to protect, nurture, create and value all that is beautiful.” (1) Ian Gillespie, founder of Westbank Corporation conveniently summarizes
- [the royalty's inherent](https://www.peripheralreview.com/the-royaltys-inherent/) - By Olivia Wallace Stepping into Daniels Spectrum is not your everyday gallery visit. Daniels Spectrum is the cultural hub for Toronto’s Regent Park—a neighbourhood of individuals from a wide range of socioeconomic and racial backgrounds. The Invisible Majority, displayed in the Hallway Galleries of Daniels Spectrum, is Zahra Siddiqui’s first solo exhibition. The artist
- [coming home* to queerness](https://www.peripheralreview.com/coming-home-to-queerness/) - By Philippe Pamela Dungao To walk through home* is to inhabit the contentious space that locates belonging and queer subjectivity. Curated by Adrienne Crossman and exhibited in Toronto’s R \ F gallery, home* featured works from four Ontario based artists working across disciplines and mediums: Sarah Kelly, Lee D’Angelo, Bethany Rose Puttkemery, and Luke
- [The Un-Othered Body](https://www.peripheralreview.com/the-un-othered-body/) - By Tori Maas When I first walked into the gallery at the opening reception for The Un-Othered Body, I was met by artist Dainesha Nugent-Palache’s Unwelcome Mat, a fitting beginning and anchor for an exhibition that unapologetically asserted and centred the voices of six women of colour whose work was brought together by curator Esmaa
- [Astral Bodies](https://www.peripheralreview.com/astral-bodies/) - By Evan Pavka “Body” is an unconfined term, referring to the personal—skin and bone—and the celestial—stars and orbiting planets. The word also signals the individual—my body—while referring to the collective—a political body. At Mercer Union the exhibition Astral Bodies, comprised of works by Shary Boyle, Shuvinai Ashoona, Karen Azoulay, Pamela Norrish, and Spring Hurlbut, questioned
- [In Praise of Unforeseen Circumstances: One year of 'art rock?'](https://www.peripheralreview.com/in-praise-of-unforeseen-circumstances-one-year-of-art-rock/) - By Daniel Colussi For just over a year Vancouver based interdisciplinary artist, filmmaker and musician Casey Wei has produced a series of shows under the banner of art rock? Wei’s practice is primarily in film and video but she has also curated several site-specific projects that transform the character and use of communal space. For
- [Embodying Technology: Plastic Orchid Factory's DIGITAL FOLK](https://www.peripheralreview.com/embodying-technology-plastic-orchid-factorys-digital-folk/) - By Ella Adkins DIGITAL FOLK, a three year project created by the artist collective Plastic Orchid Factory, was a costume party, video game and dance extravaganza, an intersection of technology and the physicality of dance, and exemplified how communities gather to play music, dance and tell stories. Upon arriving at the Fei & Milton Wong
- [Sarah Neufeld: The Ridge + Dialectica](https://www.peripheralreview.com/sarah-neufeld-the-ridge-dialectica/) - By Glenn Vanderkloet The Music Gallery (MG), located within St. George the Martyr Anglican Church at the southern end of Toronto's Grange Park is, according to its website, “a centre for promoting and presenting innovation and experimentation in all forms of music, and for encouraging cross-pollination between genres, disciplines and audience.” I would say
- [Stretched Painting](https://www.peripheralreview.com/stretched-painting/) - By Tori Maas Stretched Painting brought together the work of four female artists, all of whom are interested in referencing the conventional notions of painting while pushing their work into three-dimensions. Fields of texture, lavish colour and art historical references were transformed onto multiple planes for the viewer to traverse. Situated at the Ontario College
- [How to Adult: The Musical](https://www.peripheralreview.com/how-to-adult-the-musical/) - By Nathan Marsh The life of a so-called “millennial” is often misunderstood. For members of older generations, the panoply of digital technologies readily available to the generally tech-savvy young people of today seem to present a much easier way of living than the way they themselves once experienced. However, life in the modern digital age
- [Electric Cedar, Hemlock Blues...](https://www.peripheralreview.com/electric-cedar-hemlock-blues/) - By Sara Korzec From September 16th till October 22nd Field Contemporary hosted an exhibition titled Electric Cedar, Hemlock Blues by artist Cameron Kerr. A small group of sculptures, presented in a clean and minimalist arrangement in the gallery space quickly enveloped the viewers senses with the fresh scent of timber–Kerr uses wood salvaged from logging
- [Of Black Holes and Feminine Flesh](https://www.peripheralreview.com/of-black-holes-and-feminine-flesh/) - By Kristina Fiedrich A woman dances alone on a stage. The swathes of fabric bellowing and collapsing around her as she moves; spinning, swirling. From one moment to the next, the dancer’s body becomes engulfed by the folds of fabric, disappearing from view, while simultaneously expanding, transforming and breathing beyond her skin. Described by art
- [Miki Aurora, To Hack the Ether: Maidens of the Matrix](https://www.peripheralreview.com/miki-aurora-to-hack-the-either/) - https://www.youtube.com/watch?v=NhE7Kc-oBeg Video and Review by Adriana Lademann Held August 20th 2016 at the Aviary, this was Miki Auroras second public performance entitled, To Hack the Ether: Maidens of the Matrix. Two women sit on the floor, sounded by a ring of salt and two white pillar candles. One dressed in a stunning futurist pink
- [The Affect of Accursedness](https://www.peripheralreview.com/137/) - By Lauren Lavery Hosted at Artspeak gallery in April of this year, The Accursed Share was an exhibition featuring the work of artists Aleesa Cohene, Deborah Edmeades and Derek Dunlop. The exhibition was guest curated by Marina Roy, a Vancouver-based artist, writer and curator whose interest lies in the intersection between language and art, thus
- [What Will We Do With These Natural Gifts?](https://www.peripheralreview.com/what-will-we-do-with-these-natural-gifts/) - Held at the Toast Collective from May 12 to May 21st What Will We Do With These Natural Gifts? features Lauren Everall, Liz Toohet-Wiese, Hailey Gooch , Haley Hunt-Brondwin, Jo Peter, five artists who met during their BFA at Emily Carr and have shown together on several occasions.
- [Inner Landscapes, Alternate Worlds](https://www.peripheralreview.com/inner-landscapes-alternate-worlds/) - By Genevieve Michaels Jordan Westre and Kaz Simpson's works inhabit a common universe. There's the same sepia-toned nostalgia to Simpson's marbled photo backgrounds, and the vintage landscapes that form the basis for Westre's collage. From radically different approaches, they explore a common ground. Both artists give the sense of looking in on a frozen moment,
- [IRL:URL](https://www.peripheralreview.com/irlurl-2/) - Video by Adriana Lademann Interview with Zandi Dandizette from the James Black Gallery about their latest show IRL:URL https://www.youtube.com/watch?v=6vaKstBu5Tk
- [Sonic Boom](https://www.peripheralreview.com/sonic-boom/) - By Nathan Marsh Since its inception as an organization in 1984, Vancouver Pro Musica has dedicated itself to the artistic development of British Columbia’s composers of new music. Each spring Vancouver Pro Musica hosts its Sonic Boom Festival, taking place over an entire weekend with different concerts playing every night from Thursday to Sunday, and

## Pages

- [Home](https://www.peripheralreview.com/) - Canadian based arts publication with a focus art exhibition reviews and responses
- [Contact/Submissions](https://www.peripheralreview.com/contact-submissions/) - Peripheral Review is: Lauren Lavery - Editor-in-Chief Editorial Committee Ella Adkins, Angel Callander, Elora Crawford, Vania Djelani, M. Gnanasihamany, Margaryta Golovchenko, Alex Gregory, Tarin Hughes, Lindsey King, Kate Kolberg, Mike Loncaric, Marie Martin, Maria Isabel Martinez, Weadee Mombo, Eva Morrison, Rebecca Munce, Kalina Nedelcheva, John Nyman, Laura Paolini, Danica Pinteric, Rebecca Peng, Erin Orsztynova, Jasmine
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- [Donate](https://www.peripheralreview.com/donate/) - Peripheral Review is published by the non-profit organization Peripheral Review Platform for Art and Criticism. All donations go towards paying writers and artists fees for our publication. If you love the content you see on our platform, consider a one-time donation or becoming a member. Thank you to all who supported us during our 2024
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- [About](https://www.peripheralreview.com/about/) - Founded in 2016, Peripheral Review is an independent, not-for-profit platform for documenting and expanding the emerging and under-represented Canadian art scene, as well as enabling access for emerging writers by encouraging accessible critical dialogue. Manifesto: Peripheral vision is a component of our eyesight that occurs outside the very centre of the gaze. Stare at something in
- [peripherie-peripherie](https://www.peripheralreview.com/home/peripherie-peripherie/) - peripherie-peripherie is an experimental thematic chapbook project produced by Peripheral Review, released bi-annually in Spring/Summer and Fall/Winter beginning in June 2023. Each issue will be guest edited by a different Canadian artist, curator or writer and will include an exhibition review, an interview, an experimental feature piece and a featured artist–all encompassed within a unique
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- [Special Events](https://www.peripheralreview.com/events/) - Upcoming Events Peripheral Review Fundraiser Auction From Saturday August 13 - Saturday August 27, 2022, PR will host our very first online auction with an ambitious roster of work by Canadian and international artists. The auction will take place entirely on our new website and includes a wide range of price points for increased accessibility.
- [Events & Programming](https://www.peripheralreview.com/events-programming/) - Upcoming Events Peripheral Review Fundraiser Auction From Saturday August 13 - Saturday August 27, 2022, PR will host our very first online auction with an ambitious roster of work by Canadian and international artists. The auction will take place entirely on our new website and includes a wide range of price points for increased accessibility.
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## Products

- [peripherie-peripherie #1: Extra-Sensory Perception](https://www.peripheralreview.com/product/peripherie-peripherie-1/) - peripherie-peripherie Issue #1: Extra-Sensory Perception considers the sensitivity of extra-sensory perception in how it transcends our known reality to peer into new and alternative worlds. The artists and writers in this issue engage the theme through experimental sound, questioning their roles as artists who capture images, examining the effect of a queer identities, and by studying the sublime from a reflection. The issue is available as a limited-run of 100 copies. Digital access will be emailed on purchase and a full-colour broadsheet edition will come to you in the mail! Featuring: A Conversation between Azka Ahmed and Christina Hajjar An attenuation of presencing / What ever that thing is that we can point to / distinguished only by a name / That thing that gives shape to our vision and our hearing / Some of the time I am that thing, 2023 by Andrew Yong Hoon Lee Artist Feature by Fatine-Violette Sabiri On Kathy Slade’s As the sun disappears and the shadows descend from the mountaintop by Kiel Torres The issue is available exclusively for purchase below, or as a part of our 2023 Membership perks, which you can purchase here.
- [Craft Parlour Publication](https://www.peripheralreview.com/product/craft-parlour-publication/) - The publication is the culmination of Rebecca La Marre’s 2023–24 residency at Western Front, in which the artist expanded research through Craft Parlour, a six-part workshop series that brought together ten interdisciplinary artists—Rosamunde Bordo, Amelia Butcher, Xinwei Che, Hannah Crosson, Sun Forest, Amy Gogarty, Chloë p.f. Lalonde, Christian Newby, Emiliano Sepulveda, and Julia Wong. Selected through an open call, the group met monthly from October to April to explore craft, contemporary art, and art writing, with a focus on writing as a tactile, material practice. The sessions combined shared research and hands-on exercises, and were enriched by guest contributors Rob Froese, Danny Kostyshin, Sharon Kivland, and A Jamali Rad. Designed by Manon Fraser and co-published by Western Front and Peripheral Review, the accompanying publication features original contributions by La Marre and the workshop participants, offering further insight into the ideas and processes that shaped the project.
- ["interior glyph" print by Thea Yabut](https://www.peripheralreview.com/product/7057/) - "interior glyph," 2023 by Thea Yabut 8.5 x 11 inches offset colour print on cardstock limited edition of 150 unframed Thea Yabut (b. 1985 Vancouver, CA) is a visual artist currently based in Montreal, Canada. Her sculptural use of paper pulp has evolved from an experimental drawing practice that continues to draw upon her own ancestry to examine the ways in which identity is shaped in Chinese and Filipina diasporic communities. Channeling the subconscious through a visceral material language, her practice uses abjection and ornament to consider the complex convergence of race and gender.
- [1312 T-shirt by Eve Tagny](https://www.peripheralreview.com/product/1312-t-shirt-by-eve-tagny/) - "1312" is an off-white 100% heavy cotton t-shirt with an infinitely cool silkscreened graphic designed by artist Eve Tagny especially for Peripheral Review in 2023. Each edition has a custom embroidered Peripheral Review logo tag on the left sleeve. T-shirts are available in unisex size small or large, make your size selection below.
- [Sustainer Membership](https://www.peripheralreview.com/product/sustainer-membership/) - The Sustainer Membership is $300 annually and includes a discount for 40% off merchandise and artist editions, and access to the Peripheral Insider Club! All Members will receive the 2024 artist edition: an 8 x 10 inch print, interior glyph, by Thea Yabut.
- [Supporter Membership](https://www.peripheralreview.com/product/supporter-membership/) - The Supporter Membership is $100 annually, includes a 25% discount off our merchandise or artist editions, and access to the Peripheral Insider Club! All Members will receive the 2024 artist edition: an 8 x 10 inch print, interior glyph, by Thea Yabut.
- [Artist / Individual Membership](https://www.peripheralreview.com/product/artist-individual-membership/) - The artist / individual membership costs $50 annually and gives you access to our exclusive Peripheral Insider Club! All Members will receive the 2024 artist edition: an 8 x 10 inch print, interior glyph, by Thea Yabut.
- [2019 Print Publication](https://www.peripheralreview.com/product/2019-print-publication/) - The 2019 issue publication is a collection of published articles and reviews published on our website in 2019 and early 2020. Contents: Reviews by Chris Andrews, Maryse Arseneault, Jessica Baldanza, Rebecca Casalino, David Court & Shannon Garden-Smith, Rosemary Flutur, Margaryta Golovchenko, Parker Kay, Brennan Kelly, Kate Kolberg, Zoe Koke, Kate Lahey, Hailey Mah, Zach Pearl, Juilee Raje, Jasmine Reimer, Lucas Regazzi, Chelsea Rozansky, Ricky Varghese, and Graham Wiebe. Feature essay by Hannah Godfrey on the work of Derek Dunlop Artist Features by Christina Battle, Elizabeth Milton and Walter Scott
- [2020-21 Print Publication](https://www.peripheralreview.com/product/2020-21-print-publication/) - The 2020-21 annual print publication is a collection of published essays, reviews, interviews and experimental responses published on our website in 2020 and 2021. Featuring writing by over 50 contributors. Reviews by Ella Adkins, Noor Alé, Laura Beshears, Madeline Bogoch, Alexandra Box, Angel Callander, Stephanie Cormier, Shauna Jean Doherty, Dallas Fellini, Emily Fitzpatrick, Shannon Foskett, Chris Gismondi, Margaryta Golovchenko, Megan Gnanashihamany, Casey Hinton, Gregory Humeniuk, Jacqueline Kok, Kate Kolberg, Helen Lee, Alex Lepianka, Rowan Lynch, Megan MacLaurin, Hailey Mah, Alisha Mascarenhas, Didier Morelli, Tyler Muzzin, Philip Leonard Ocampo, Erin Orsztynova, Zach Pearl, Juliee Raje, Chelsea Rozansky, Daniella Sanader, Penelope Smart, Patryk Stasieczek, Nawang Tsomo, Andrea Valentine-Lewis, Shalon T. Webber-Heffernan, nic wilson, Susie Winters, and Steph Wong Ken. Experimental Responses by Derek Coulombe, Parker Kay and Madeleine Taurins, The Toronto Experimental Translation Collective (TETC). Essays by Michael Eddy, Lauren Fournier and Greta Hamilton, Lilian O'Brien Davis, and Chelsea Rozansky. Interviews with Vishal Jugdeo and Paul Kajander, Zoe Koke and Sean Sprague Artist Features by Sarah Davidson, Mariana Muñoz Gomez, Audie Murray, Preston Pavlis, Cheyenne Rain LeGrande, and Karen Tam. The issue also features a custom bookmark by Mariana Muñoz Gomez, and a pull-out zine with a feature essay written by Ella Tetrault and Ella Dawn McGeough.
- [2022 Print Publication](https://www.peripheralreview.com/product/2022-print-publication/) - The 2022 annual print publication is a collection of published essays, reviews, interviews and experimental responses published on our website in 2021 and 2022. Contents: Reviews by Ella Adkins, Adam Barbu, sophia bartholomew, Madeline Bogoch, William Brereton, Francesca Carella Arfinengo, Elora Crawford, Tyler Cunningham, Alex Gregory, Chris Hampton, Maria Kanellopoulos, Kate Kolberg, Yam Lao, Lauren Lavery, Courtney Miller, Kalina Nedelcheva, Kim Neudorf, Danica Pinteric, Angie Rico, Cason Sharpe, Dana Snow, Alex Turgeon, Ricky Varghese, and Stephanie Wu Interviews with Amanda Boulos and Jasmine Reimer, and Daniel Griffin Hunt, Rebecca Travis and Sean Weisgerber Feature essay by Erika Verhagen Artist Features by Yan Wen Chang, Caitlin Lapeña and Cole Pauls
- [2018 Publication](https://www.peripheralreview.com/product/2018-publication/) - The 2018 print publication is a collection of published essays, reviews, interviews and experimental responses published on our website in 2018. Contents: Reviews by Ella Adkins, Chris Andrews, Shauna Jean Doherty, Christine DuVuono, Gillian Haigh, Karina Iskandarsjah, Lauren Lavery, Jenine Marsh, and John Nyman, Feature interview with Luther Konadu and Lauren Lavery Artist Features by Gabrielle L'Hirondelle Hill, Julian Yi-Zhong Hou and Shellie Zhang, with a special pull out print by Julian Yi-Zhong Hou.
- ["Toronto Hates Art" Tote by Lucas Regazzi & Laura McCoy](https://www.peripheralreview.com/product/toronto-hates-art-tote-by-lucas-regazzi-laura-mccoy/) - Toronto Hates Art is a tote bag commemorating sentiments around the unlivable cities of the 21st century. Once beacons for human connection and activity, cities now serve as investment grounds championed by legislation that cares more about profit for a few than housing for all. Dense and homogeneous, Toronto wants you over-worked and isolated, competing for scarce resources. The extreme cost-of-living for artists means that many young people are not able to take part in producing culture and living creative lives. It’s literally like those t-shirts that came out a few years ago that unapologetically stated, “Toronto vs. Everybody.” We think Toronto Hates Art. How foolish of it! Beautiful makers, projects, initiatives, and conversations abound in the country’s largest town. We want this tote to critically ask: What would it look like if our city were to prioritize art? Laura McCoy (b. 1981 Cambridge, Ontario, Canada) is an artist who has lived and worked in Toronto for the past 20 years. Currently she paints and performs and her work is concerned with reducing control and finding an abject heartbeat in trite gestures. She is queer and disabled and lives with a roommate and her 8 year-old dog. Lucas Regazzi (b. 1995 Toronto, Ontario, Canada) is an artist who runs april april with his husband in Brooklyn, NY.
- [The Anarchist Review by Liz Knox](https://www.peripheralreview.com/product/the-anarchist-review-by-liz-knox/) - The Anarchist Review (2022) The Anarchist Review is a project by Vancouver-based artist Liz Knox and features a curated collection of customer reviews of the notoriously banned book, 'The Anarchist Cookbook' (1971), left on the online retailer website Amazon. The publication also includes an introductory essay titled, "Blueprint-Recipe Industrial Complex" by writer, housing activist and editor Nathan Crompton.
- [2022 Artist Edition by Matthew Cardinal](https://www.peripheralreview.com/product/2022-artist-edition-by-matthew-cardinal/) - 2022 Artist Edition by Matthew Cardinal. The print is 20 photographs taken with a Game Boy camera by the artist. Video: Score for the edition written and produced by Matthew Cardinal. Matthew Cardinal (he/him) is an amiskwaciy (Edmonton, AB)-based musician, sound artist, and photographer known for his work with Polaris Short List nominee group nêhiyawak. Cardinal’s solo full-length album Asterisms was released in October 2020 on Arts & Crafts. Cardinal’s music utilizes modular synthesizers, vintage analog equipment, electric pianos, and samplers to create cinematic and dreamlike soundscapes. Cardinal’s photographic works come from a daily practice of collecting and photographing the natural environment, friends, and objects of interest with vintage Polaroid and 35mm cameras. His photographic works have been shown at Latitude 53 (Edmonton) and the Southern Alberta Art Gallery (Lethbridge). Listen to and download Cardinal's music here: https://matthewcardinal.bandcamp.com/
- ["Habibi Blue" Tote by Christina Hajjar](https://www.peripheralreview.com/product/christina-hajjar-2021-artist-edition-tote/) - Habibi Blue, 2020 by Christina Hajjar About the artist: Christina Hajjar is a Lebanese artist, writer, and cultural worker based in Winnipeg, Manitoba on Treaty 1 Territory. Her practice considers intergenerational inheritance, domesticity, and place through diaspora, body archives, and cultural iconography. As a queer femme and first-generation subject, she is invested in the poetics of process, translation, and collaborative labour. Hajjar is the co-founder of Carnation Zine and creator of Diaspora Daughter, Diaspora Dyke zine. She was a recipient of the 2020 PLATFORM Photography Award and received an honourable mention for the 2021 Emerging Digital Artists Award. Find out more about Hajjar's practice at https://christinahajjar.com
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## Events

- [Peripheral Review 2024 Skill-Sharing Fundraiser](https://www.peripheralreview.com/events/peripheral-review-2024-skill-sharing-fundraiser/)
- [Peripheral Review Studio Visits](https://www.peripheralreview.com/events/peripheral-review-studio-visits/)
- [Job Call: Administrative Intern (Fall 2022)](https://www.peripheralreview.com/events/job-call-administrative-intern-fall-2022/)
- [Sunday Summer Reading Series: 2020](https://www.peripheralreview.com/events/sunday-summer-reading-series-2020/)
- [Sunday Summer Reading Series: 2021](https://www.peripheralreview.com/events/sunday-summer-reading-series-2021/)
- [Sunday Summer Reading Series](https://www.peripheralreview.com/events/sunday-summer-reading-series/)
- [Workshop your Pitch with Peripheral Review](https://www.peripheralreview.com/events/workshop-your-pitch-with-peripheral-review/)
- [Peripheral Review Block Party 2022](https://www.peripheralreview.com/events/peripheral-review-block-party-2022/)
- [Peripheral Review 2023 Fundraiser Auction](https://www.peripheralreview.com/events/peripheral-review-2023-auction-fundraiser/)
- [Rehearsal Art Book Fair 2023](https://www.peripheralreview.com/events/rehearsal-art-book-fair-2023/)
- [Peripheral Review 2022 Fundraiser Auction](https://www.peripheralreview.com/events/2022-fundraiser-auction/)
- [<i>Remember Tomorrow: A Telidon Story</i> Publication](https://www.peripheralreview.com/events/remember-tomorrow-a-telidon-story-publication/)
- [Acid Free LA 2023](https://www.peripheralreview.com/events/acid-free-la-2023/)
- [PR 2023 Art Writing Contest](https://www.peripheralreview.com/events/pr-2023-art-writing-contest/)
- [2023 Spring Membership Drive](https://www.peripheralreview.com/events/2023-spring-membership-drive/)
- [Call for Editorial and Advisory Committee Members](https://www.peripheralreview.com/events/call-for-editorial-committee-and-advisory-board-members/)
- [2022 Publication Launch](https://www.peripheralreview.com/events/2022-publication-launch/)
- [Art Toronto 2022](https://www.peripheralreview.com/events/art-toronto-2022/)
- [Recreo Valencia Art Book Fair](https://www.peripheralreview.com/events/recreo-valencia-art-book-fair/)
- [Volume 5 Montréal](https://www.peripheralreview.com/events/volume-5-montreal/)
- [Prairie Art Book Fair 2022](https://www.peripheralreview.com/events/prairie-art-book-fair-2022/)

## Authors

- [Morgan Melenka](https://www.peripheralreview.com/authors/morgan-melenka/)
- [Nadia Kurd](https://www.peripheralreview.com/authors/nadia-kurd/)
- [Violet Pask](https://www.peripheralreview.com/authors/violet-pask/)
- [Sarah Davidson](https://www.peripheralreview.com/authors/sarah-davidson/)
- [Jay Pahre](https://www.peripheralreview.com/authors/jay-pahre/)
- [Lauren Lavery](https://www.peripheralreview.com/authors/lauren-lavery/)
- [Adrien Sun Hall](https://www.peripheralreview.com/authors/adrien-sun-hall/)
- [Lodoe Laura](https://www.peripheralreview.com/authors/lodoe-laura/)
- [Mahlet Cuff](https://www.peripheralreview.com/authors/mahlet-cuff-2/)
- [Liz Toohey-Wiese](https://www.peripheralreview.com/authors/liz-toohey-wiese/)
- [Dan Starling](https://www.peripheralreview.com/authors/dan-starling/)
- [Mohsen Veysi](https://www.peripheralreview.com/authors/mohsen-veysi/)
- [Mic Jones](https://www.peripheralreview.com/authors/mic-jones/)
- [Prabhnoor Kaur](https://www.peripheralreview.com/authors/prabhnoor-kaur/)
- [Héloïse Auvray](https://www.peripheralreview.com/authors/heloise-auvray/)
- [Madalyn K. Shaw](https://www.peripheralreview.com/authors/madalyn-shaw/)
- [Erin Hunt](https://www.peripheralreview.com/authors/erin-hunt/)
- [Micaela Dixon](https://www.peripheralreview.com/authors/micaela-dixon/)
- [Marina Roy](https://www.peripheralreview.com/authors/marina-roy/)
- [Erika Verhagen](https://www.peripheralreview.com/authors/erika-verhagen/)
- [Daze Jefferies](https://www.peripheralreview.com/authors/daze-jefferies/)
- [Brody Weaver](https://www.peripheralreview.com/authors/brody-weaver/)
- [Jay Isaac](https://www.peripheralreview.com/authors/jay-isaac/)
- [Darian Razdar](https://www.peripheralreview.com/authors/darian-razdar/)
- [Katie Lawson](https://www.peripheralreview.com/authors/katie-lawson/)
- [Rhys Edwards](https://www.peripheralreview.com/authors/6389/)
- [Dani Neira](https://www.peripheralreview.com/authors/dani-neira/)
- [Jeremy Laing](https://www.peripheralreview.com/authors/jeremy-laing/)
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- [Angel Callander](https://www.peripheralreview.com/authors/angel-callander/)
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- [Ido Radon](https://www.peripheralreview.com/authors/ido-radon/)
- [Anqi Shen](https://www.peripheralreview.com/authors/anqi-shen/)
- [Amanda Boulos](https://www.peripheralreview.com/authors/amanda-boulos/)
- [Hyang Cho](https://www.peripheralreview.com/authors/hyang-cho/)
- [sophia bartholomew](https://www.peripheralreview.com/authors/sophia-bartholomew/)
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- [Jonathan Scott](https://www.peripheralreview.com/authors/jonathan-scott/)
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- [José Andrés Mora](https://www.peripheralreview.com/authors/jose-andres-mora/)
- [Kate Kolberg](https://www.peripheralreview.com/authors/kate-kolberg/)
- [Stephanie Wu](https://www.peripheralreview.com/authors/stephanie-wu/)
- [Yantong Li](https://www.peripheralreview.com/authors/yantong-li/)
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- [Yasmine Whaley-Kalaora](https://www.peripheralreview.com/authors/yasmine-whaley-kalaora/)
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- [Mahlet Cuff](https://www.peripheralreview.com/authors/mahlet-cuff/)
- [Jaz Papadopoulos](https://www.peripheralreview.com/authors/jaz-papadopoulos/)
- [Juilee Raje](https://www.peripheralreview.com/authors/juilee-raje/)
- [Madeline Bogoch](https://www.peripheralreview.com/authors/madeline-bogoch/)
- [Lauren Prousky](https://www.peripheralreview.com/authors/lauren-prousky/)
- [Laura Hudspith](https://www.peripheralreview.com/authors/laura-hudspith/)
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- [Priscilla Barker](https://www.peripheralreview.com/authors/priscilla-barker/)
- [Sophia Oppel](https://www.peripheralreview.com/authors/sophia-oppel/)
- [Maxine Proctor](https://www.peripheralreview.com/authors/maxine-proctor/)
- [Sean Weisgerber](https://www.peripheralreview.com/authors/sean-weisgerber/)
- [Jasmine Reimer](https://www.peripheralreview.com/authors/jasmine-reimer/)
- [Nathan Crompton](https://www.peripheralreview.com/authors/nathan-crompton/)
- [Maria Kanellopoulos](https://www.peripheralreview.com/authors/maria-kanellopoulos/)
- [Hailey Mah](https://www.peripheralreview.com/authors/hailey-mah/)
- [Kalina Nedelcheva](https://www.peripheralreview.com/authors/kalina-nedelcheva/)
- [Liz Knox](https://www.peripheralreview.com/authors/liz-knox/)
- [Francesca Carella Arfinengo](https://www.peripheralreview.com/authors/francesca-carella-arfinengo/)
- [Tangled Art + Disability](https://www.peripheralreview.com/authors/tangled-art-disability/)
- [Jenine Marsh](https://www.peripheralreview.com/authors/jenine-marsh/)
- [Ella Dawn McGeough](https://www.peripheralreview.com/authors/ella-dawn-mcgeough/)
- [Alexandra Box](https://www.peripheralreview.com/authors/alexandra-box/)
- [Derek Coulombe](https://www.peripheralreview.com/authors/derek-coulombe/)
- [Laura Beshears](https://www.peripheralreview.com/authors/laura-beshears/)
- [Adam Barbu](https://www.peripheralreview.com/authors/adam-barbu/)
- [Alex Gregory](https://www.peripheralreview.com/authors/alex-gregory/)
- [Yam Lau](https://www.peripheralreview.com/authors/yam-lau/)
- [Dallas Fellini](https://www.peripheralreview.com/authors/dallas-fellini/)
- [Megan MacLaurin](https://www.peripheralreview.com/authors/megan-maclaurin/)
- [Lillian O’Brien Davis](https://www.peripheralreview.com/authors/lillian-obrien-davis/)
- [Julian Yi-Zhong Hou](https://www.peripheralreview.com/authors/julian-yi-zhong-hou/)
- [Noor Alé](https://www.peripheralreview.com/authors/noor-ale/)
- [Cason Sharpe](https://www.peripheralreview.com/authors/cason-sharpe/)
- [Ricky Varghese](https://www.peripheralreview.com/authors/ricky-varghese/)
- [Didier Morelli](https://www.peripheralreview.com/authors/didier-morelli/)
- [hannah godfrey](https://www.peripheralreview.com/authors/hannah-godfrey/)
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