Tag Archives: environmentalart

Honouring the Trees in Reitzenstein’s FML (forests may lie)

11 July 2022

By William Brereton

After a few deep breaths, I took many strolls among the mysterious yet beautiful installation works of Reitzenstein (the artist formerly known as Reinhard Reitzenstein) in FML (forests may lie) at Olga Korper Gallery in Toronto. The exhibition showcased a survey of the artist’s latest sculptural and photographic works that have signified his long-standing investigations into the environment and environmental degradation. For those who may have sought a critical yet playful experience in nature, Reitzenstein’s latest presentation seamlessly offered interpretive and high-spirited vantage points from which to experience the works, as many of us tried to find reprieve during the early months of the global pandemic. As some museums and galleries in Ontario briefly reopened in Fall 2020, this exhibition affirmed the need to experience art in person and perhaps encouraged us to go on an introspective journey. With a direct focus on our geographic surroundings, the exhibition especially paid homage to the artist’s direct engagement with trees native to, and the communities that reside within, the Golden Horseshoe region of Southern Ontario.

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The Shadow of Sirius: Jennifer Murphy at Clint Roenisch

5 February 2020

By Penelope Smart

 

The moment at evening 

when the pictures set sail from the walls

— excerpt from “Cargo” by W.S. Merwin

Pictures on the wall in Jennifer Murphy’s The Shadow of Sirius stand tall and still. In the gallery, jewel toned birds, moths, dragonflies, frogs and flora of human-scale have migrated from a dream-like state or have been grafted from the pages of a children’s storybook. Except—as in a Grimm’s fairy tale—prettiness tends to couple with death. Murphy’s exquisite creatures came to life within our new countdown: one in which our time-frame for saving the planet can be counted in months (131), not years. As an exhibit that was mounted in the autumn of 2019, a few weeks after Iceland held its first funeral for a glacier and a few months before Australia’s skies turned red from its burning shorelines, Murphy’s silent gathering of animals, insects and flowers—borne from love, anxiety and heartbreak—take on the power of a silent vigil.  Continue Reading

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