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Contorting Ourselves to Appease Them All: Alexa Hawksworth’s Semi-Detached New Build at Projet Pangée

9 August 2022

By Kate Kolberg

You’re sitting, reading in a cafe. Your brain announces to itself: “I’m a reader,” as if somehow that makes you virtuous. In theory, the book’s subject is interesting, but if you’re honest with yourself, you’re struggling to get through a single page, let alone internalize the information being presented to you. Instead, apprehension floods your brain: Am I comfortable or too caffeinated? Do people think I look smart? Maybe I seem mysterious or, maybe, just pretentious. Wait, do I even like reading? This dizzying relationship the self can have to the self—often seemingly innocuous yet fundamentally fraught—was the subject of much of Montreal-based painter Alexa Hawksworth’s work in her recent exhibition Semi-Detached New Build at Projet Pangée. Through an ad-hoc assembly of caricatures and scenes, Hawksworth’s paintings explore the relationship we have with ourselves: the non-negotiable correspondence that is ever-vulnerable to context, doubt, timing, and, perhaps most importantly, our perception of how we are being understood by others.

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