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A sieve leaking time and place away: José Andrés Mora at Artspace Peterborough

21 November 2022

By Yam Lau

On a sunny morning in May, I travelled with José Andrés Mora to his exhibition, The Morning in Reverse at Artspace Peterborough. Passing through the region that day had me ruminating on the petroglyphs at a nearby site that I visited some two decades earlier. The symbols, fissures, and rock substrate that make up the petroglyphs combine to construct a mysterious site-as-text through their entwined material and temporal states. In this environment, the glyphs endure in place and time, endowing everything in the vicinity with an enigmatic significance. The memory of petroglyphs permanently embedded in its geological substrate provides a striking contrast with Mora’s use of text and material support to achieve indefinite effects.  

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